44.1kHz/16Bit
专辑名称: The Good, The Bad and The Ugly (Original Motion Picture Soundtrack) [Digitally Remastered]
创作艺人: [Ennio Morricone]
音乐流派: 电影原声
专辑规格: 1碟21首
出品公司: EMI Music Publishing Italia Srl
发行时间: 1966/1/1
官方标价: £null （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
The Good, the Bad and the Ugly – Il Buono, Il Brutto, Il Cattivo (Titles)
The Sundown – Il Tramonto
Sentence – Sentenza
Escape on a Horse – Fuga a Cavallo
The Rope Bridge – Il Ponte Di Corde
The Strong – Il Forte
Chase – Inseguimento
The Desert – Il Deserto
The Carriage of the Spirits – La Carrozza Dei Fantasmi
Saint Anthony Mission – La Missione San Antonio
Father Ramirez – Padre Ramirez
Marcia – Marcetta
The Story of a Soldier – La Storia Di Un Soldato
The Military Train – Il Treno Militare
The End of a Spy – Fine Di Una Spia
The Bandit With Missing Hand – Il Bandito Monco
Two againts Five – Due Contro Cinque
Marcia Without Hope – Marcetta Senza Speranza
Death of Soldier – Morte Di Un Soldato
The Ecstasy of Gold – L'Estasi Dell'oro
The Trio – Il Triello
详细介绍:
The climax of a unique musical journey which began two years prior with A Fistful of Dollars, this soundtrack features as its main theme the flute riff (which personifies Clint Eastwood, aka “The Good”) which has gone down in the annals of history of film music. In order to direct him in the concept for this score, Sergio Leone explained to Ennio Morricone that the three title characters were in fact one (joined by their mutual thirst for gold). Thus, the composer decided to use the same musical motif for each of the three characters – limited to two notes – and using a different tone for each of them. A recorder for The Good, an ocarina for The Ugly (Lee Van Cleef), and human voices imitating the cry of a coyote for The Bad (Eli Wallach). Simple but terribly effective. A bridge was added to the heart of this memorable theme consisting of a dialogue between two trumpet players in a cavalry style. This soundtrack is also famous for the theme named The Ecstasy of Gold, which accompanies Tuco’s frantic search among the graves for the one which conceals the treasure. After the piano and English horn introduction, Morricone creates a crescendo making use of all sections and, above all, the voice of Edda Dell’Orso. It finishes with a musical grand finale which evokes Tuco’s ecstasy upon having found the grave in question. © Nicolas Magenham/Qobuz
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