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专辑名称: Use Your Illusion (Super Deluxe)
创作艺人: [Guns N' Roses]
音乐流派: HARD ROCK|硬摇滚
专辑规格: 4碟77首
出品公司: Guns N Roses P&D
发行时间: 1991/9/17
官方标价: £25.09 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Right Next Door To Hell (2022 Remaster)
Dust N' Bones (2022 Remaster)
Live And Let Die (2022 Remaster)
Don't Cry (Original) (2022 Remaster)
Perfect Crime (2022 Remaster)
You Ain't The First (2022 Remaster)
Bad Obsession (2022 Remaster)
Back Off Bitch (2022 Remaster)
Double Talkin' Jive (2022 Remaster)
November Rain (2022 Version)
The Garden (2022 Remaster)
Garden Of Eden (2022 Remaster)
Don't Damn Me (2022 Remaster)
Bad Apples (2022 Remaster)
Dead Horse (2022 Remaster)
Coma (2022 Remaster)
Civil War (2022 Remaster)
14 Years (2022 Remaster)
Yesterdays (2022 Remaster)
Knockin' On Heaven's Door (2022 Remaster)
Get In The Ring (2022 Remaster)
Shotgun Blues (2022 Remaster)
Breakdown (2022 Remaster)
Pretty Tied Up (The Perils Of Rock N' Roll Decadence) (2022 Remaster)
Locomotive (Complicity) (2022 Remaster)
So Fine (2022 Remaster)
Estranged (2022 Remaster)
You Could Be Mine (2022 Remaster)
Don't Cry (Alternate Lyrics / 2022 Remaster)
My World (2022 Remaster)
Pretty Tied Up (Live in New York, Ritz Theatre – May 16, 1991)
Bad Obsession (Live In New York, Ritz Theatre – May 16, 1991)
Right Next Door To Hell (Live in New York, Ritz Theatre – May 16, 1991)
Mr. Brownstone (Live in New York, Ritz Theatre – May 16, 1991)
Dust N' Bones (Live In New York, Ritz Theatre – May 16, 1991)
Live And Let Die (Live In New York, Ritz Theatre – May 16, 1991)
Paradise City (Live In New York, Ritz Theatre – May 16, 1991)
Voodoo Child (Slight Return) / Civil War (Live In New York, Ritz Theatre – May 16, 1991)
Drum Solo (Live In New York, Ritz Theatre – May 16, 1991)
Slash Solo (Live In New York, Ritz Theatre – May 16, 1991)
You Could Be Mine (Live In New York, Ritz Theatre – May 16, 1991)
I Was Only Joking / Patience (Live In New York, Ritz Theatre – May 16, 1991)
Only Women Bleed / Knockin' On Heaven's Door (Live In New York, Ritz Theatre – May 16, 1991)
Don't Cry (Original) (Live In New York, Ritz Theatre – May 16, 1991)
You Ain't The First (Live In New York, Ritz Theatre – May 16, 1991)
My Michelle (Live In New York, Ritz Theatre – May 16, 1991)
Estranged (Live In New York, Ritz Theatre – May 16, 1991)
Double Talkin' Jive (Live In New York, Ritz Theatre – May 16, 1991)
Sweet Child O' Mine (Live In New York, Ritz Theatre – May 16, 1991)
Welcome To The Jungle (Live In New York, Ritz Theatre – May 16, 1991)
详细介绍:
The twin polarities upon which Use Your Illusion has always derived its unique energy from are its absolute bigness and its unparallelled sense of vindictive martyrdom. This deluxe set—which doubles the length of the combined two original albums by including two full live sets—is definitely big, but without the inclusion of additional studio tracks (no demos, b-sides or outtakes) doesn%27t expand on the original in any meaningful way. Which means that Illusion is still trapped in its own unique 1991 amber. From its odd sequencing—which alternates between melodramatic grandiosity, midtempo sleaze, and energetic rockers built solely on bitterness and spite—to the stultifying airlessness of the recording (all of the band members cut their parts separately), Illusion still feels like an overdetermined mess that somehow manages to consistently deliver the goods. Sadly though, those goods are steeped in an aimless rage that these days reads less like anti-authoritarianism and more like toxic narcissism. This is an album that gets out a fuck you in its first two minutes, and devolves from there into a master class on petty beefing: Whether it%27s Right Next Door To Hell, Get In the Ring, My World (ugh), Back Off Bitch (ugggghh), or any of the other tracks where poor Axl Rose blames all of his problems on everyone else in the world, the constant airing of tiny grievances is far more deadening than the set%27s length. All of this made Use Your Illusion a deeply cynical yet completely sincere work.
Although it%27s incredibly indulgent and self-centered, it%27s almost certainly an accurate representation of the band%27s perception of the world at the time. Its deep currents of misogyny were both casual and aggressive, but also completely unapologetic, which is both alarming and pathetic. Sounds like a terrible album, right? It most definitely is not. Weirdly conceived and recorded? For sure. Problematic? Yup. Highly individual and completely non-reproducible by any other band on Earth? Absolutely. Even now, some 30 years later, it still manages to yield treasures. Tracks that were overlooked in the overwhelming onslaught of the original release are well worth revisiting; the druggy blues-rock of Bad Obsession, Locomotive with its sideways reworking of Welcome to the Jungle, The Garden (which sounds like a leftover from the first Masters of Reality album with an Alice Cooper rap shoved in the bridge), or the Duff McKagan-penned Johnny Thunders tribute So Fine all hold up remarkably well.
The live shows are revelatory: The Use Your Illusion tour was as extravagant and overblown as the album(s) it was promoting, running for nine legs over 30 months with nearly 200 dates played. It was truly one of the last of its kind from an on-the-charts rock %27n%27 roll band, represented here by a warmup theater gig at the Ritz in New York in May, 1991, and an arena show on the UNLV campus as the tour was running at full speed eight months later. Remarkably, both sets exhibit a warm and generous band giving their absolute all to the fans in attendance, turning the somewhat clinical performances of Illusion%27s album versions into explosive renditions on stage. © Jason Ferguson/Qobuz
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