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专辑名称: Vol. 4 (2021 Remaster)
创作艺人: [Black Sabbath]
音乐流派: Metal|金属音乐
专辑规格: 1碟10首
出品公司: Sanctuary Records
发行时间: 2021/2/12
官方标价: £8.79 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Wheels of Confusion / The Straightener (2021 Remaster)
Tomorrow's Dream (2021 Remaster)
Changes (2021 Remaster)
FX (2021 Remaster)
Supernaut (2020 Remaster)
Snowblind (2021 Remaster)
Cornucopia (2021 Remaster)
Laguna Sunrise (2021 Remaster)
St. Vitus Dance (2021 Remaster)
Under the Sun / Every Day Comes and Goes (2021 Remaster)
详细介绍:
Between October 1969 and May 1972—a span of just over two and a half years—Black Sabbath recorded four albums, which both individually and collectively provided the cornerstones, foundations, and building blocks of heavy metal. That the band managed such studio productivity is, in and of itself, a miracle, given both their touring regimen and their prodigious drug intake. Even more remarkable is the amount of creative growth Black Sabbath underwent in that time period. The band captured on Vol. 4 is one that has definitively advanced the style they codified on their debut and also one that is clearly straining to find new modes of expression within that style. While not quite reaching the heights achieved on 1973%27s Sabbath Bloody Sabbath, Vol. 4 is absolutely a more impressive album than any of the three that preceded it—faster, slower, heavier, more delicate, more brutal, more complex. It is, daresay, more mature. It%27s also definitely more fueled by cocaine, and that powdery influence is hard to deny here; yes, of course, there%27s Snowblind, and, yes, that was the album%27s original title, but there%27s also a peculiar clarity and concision to the material that was almost certainly brought about by the band%27s heightened … attention. While earlier Sabbath jams could dawdle a bit aimlessly, the grooves here are tight and the riffs are as focused as they are chunky. Throughout Vol. 4, the band eases into their most effective elements and gets straight to business. On Black Sabbath, Cornucopia would have had a four-minute opening but here, after a brief, four-bar intro, it careens straight into a breathless, four-minute bash to the back of your skull. Even the album%27s longest song is technically two pieces (Wheels of Confusion/The Straightener). Yes, things are more compositionally complex, but they are also more focused. That%27s not to say that Sabbath is all cocaine-sparkly speed-jams here; to the contrary, Tony Iommi digs into some of his meatiest, doomiest riffs, complemented by intricate song structures. Tomorrow%27s Dream may be the burliest song in the Ozzy-era Sabbath catalog and its bridge may be the most uplifting moment. It all comes together on two of the album%27s most contrasting and iconic tracks—the mournful piano balladry of Changes and the hard-charging Supernaut—both of which are inventive, perfectly executed, and impossible to imagine on any of the previous Sabbath albums. © Jason Ferguson/Qobuz
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