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专辑名称: The Montreux Years (Live)
创作艺人: [Nina Simone]
音乐流派: Funk|疯克音乐
专辑规格: 1碟29首
出品公司: BMG Rights Management (UK) Ltd
发行时间: 2021/6/25
官方标价: £12.59 （会员免费下载）
域名语言: [fr][en] （AI检测）
曲目介绍：
Someone to Watch Over Me (Intro) (Live – Montreux Jazz Festival 1987)
Backlash Blues (Live – Montreux Jazz Festival 1976)
I Wish I Knew How It Would Feel to Be Free (Live – Montreux Jazz Festival 1976)
See-Line Woman (Live – Montreux Jazz Festival 1990)
Little Girl Blue, Pt. 1 and 2 (Live – Montreux Jazz Festival 1976)
Don't Smoke in Bed (Live – Montreux Jazz Festival 1990)
Stars (Live – Montreux Jazz Festival 1976)
What a Little Moonlight Can Do (Live – Montreux Jazz Festival 1990)
African Mailman (Live – Montreux Jazz Festival 1976)
Four Women (Live – Montreux Jazz Festival 1990)
No Woman No Cry (Live – Montreux Jazz Festival 1990)
Liberian Calypso (Live – Montreux Jazz Festival 1990)
Ne Me Quitte Pas (Live – Montreux Jazz Festival 1990)
Montreux Blues (Live – Montreux Jazz Festival 1981)
My Baby Just Cares for Me (Live – Montreux Jazz Festival 1990)
Intro (Live – Montreux Jazz Festival 1968)
Go to Hell (Live – Montreux Jazz Festival 1968)
Just in Time (Live – Montreux Jazz Festival 1968)
When I Was a Young Girl (Live – Montreux Jazz Festival 1968)
Don't Let Me Be Misunderstood (Live – Montreux Jazz Festival 1968)
Ne Me Quitte Pas (Live – Montreux Jazz Festival 1968)
To Love Somebody (Live – Montreux Jazz Festival 1968)
Backlash Blues (Live – Montreux Jazz Festival 1968)
The House of the Rising Sun (Live – Montreux Jazz Festival 1968)
See-Line Woman (Live – Montreux Jazz Festival 1968)
Please Read Me (Live – Montreux Jazz Festival 1968)
Ain't Got No, I Got Life (Live – Montreux Jazz Festival 1968)
Gin House Blues (Live – Montreux Jazz Festival 1968)
I Wish I Knew How It Would Feel to Be Free (Live – Montreux Jazz Festival 1968)
详细介绍:
Both jazz and classical music are often better on stage than in the studio, and Nina Simone bridged the gap between both of these art forms. One of Nina Simone%27s best albums, It Is Finished, is a live recording. And Montreux, here, a compilation of her previously-unpublished performances at the famous jazz festival, ranks alongside that earlier work in terms of quality. In it we hear segments from five concerts given on the shores of Lake Geneva, in 1968, 1976, 1981, 1987 and 1990, all of which enjoy excellent sound quality. 1968 saw the second outing of the festival and the beginning of a long relationship between Nina Simone and Montreux. This concert was previously only available on rare and expensive pressings, and this release allows us to hear Simone%27s great works from those days (from I Wish I Knew How It Would Feel to Be Free to Backlash Blues or See-Line Woman plus her cover of Ne me quitte pas) performed in a workmanlike but relaxed style. It was later, and most notably in 1976, that her music reached extremes, moving between a fresh breeze and a cathartic rampage. High priestess of soul, Nina Simone became a shaman, an enchantress who did what she wanted with music and audiences. From intimate ballads to trancelike Afro-Jazz, Simone reigns supreme, totally in command of her material. The tracks from 1990 show an artist tested by life%27s trials, with quite a different voice. She had lost confidence and power, but this fragility made her even more affecting. © Stéphane Deschamps / Qobuz
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