HR 44.1kHz/24Bit 
专辑名称: Reborn
创作艺人: [Kavinsky]
音乐流派: ELECTRONIC|电子音乐
专辑规格: 1碟12首
出品公司: Record Makers
发行时间: 2022/3/25
官方标价: £8.39 （会员免费下载）
域名语言: [da][en][de][sv] （AI检测）
曲目介绍：
Pulsar
Reborn
Renegade
Trigger
Goodbye
Plasma
Cameo
Zenith
Vigilante
Zombie
Outsider
Horizon
详细介绍:
In 2011, Kavinsky emerged from the shadows of French House artists like Daft Punk, Justice, and Mr Oizo. It all began with Nightcall, the opening track to Nicolas Winding Refn’s film Drive. This hit immediately saw him stand among the most revered French producers. In the process, this launched an 80’s revival that would prepare pop culture for Random Access Memories and the soundtrack for Stranger Things. There’s no doubt that he felt pressured by the lofty expectations that followed this success and the release of his first album Outrun in 2013. Kavinsky, who was still not the most prolific of musicians, chose to take a (long) break before embarking on this new album, Reborn. The single Zenith, which was released as a “sequel” to Night Call, was the first glimpse the world got of this new album. The track is embellished with vocals by Morgan Phalen from Diamond Nights and Prudence from The Dø, who tell the tragic story of a love cut short.
On this second album, composed with the help of Gaspard Augé from Justice, the Frenchman remains faithful to his musical values. He includes soundtracks from films that define his childhood (from Carpenter to Spielberg) and pop hits of the time (from Culture Club to Tears for Fears). The orchestration gives pride of place to keyboards and drums reminiscent of the 80s, creating a modern take on a retro-futuristic ambience (similar to Dawn FM by the Weeknd). There’s plenty of beautiful moments to be found here. For example, in the slap bass of the single Renegade (with stunning vocals by the new US R&B star Cautious Clay), or in the slow and steady Goodbye with Sébastien Tellier. This album is sincere and authentic. It’s pure Kavinsky. As he said back when he wrote the music for Drive: “I owe a lot to this film, but it hasn’t changed anything about my music.” © Smael Bouaici/Qobuz
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