HR 96.0kHz/24Bit 
专辑名称: 12
创作艺人: [Ryuichi Sakamoto]
音乐流派: ELECTRONIC|电子音乐
专辑规格: 1碟12首
出品公司: Milan
发行时间: 2023/1/17
官方标价: £10.19 （会员免费下载）
域名语言: [sw][tl] （AI检测）
曲目介绍：
20210310
20211130
20211201
20220123
20220202
20220207
20220214
20220302 – sarabande
20220302
20220307
20220404
20220304
详细介绍:
A genre unto itself, Ryuichi Sakamoto%27s music over the decades on synthesizer, piano, keyboard, as a member of synth-pop band Yellow Magic Orchestra and as a film composer contains multitudes. He%27s collaborated with titans nearly as towering as himself, but on 12, Sakamoto works achingly, sublimely alone in the studio.
12—Sakamoto%27s first original (non-film score) album since 2017%27s async—finds the artist at his most meditative, which stands to reason. During 2021 and 2022, Sakamoto composed, played and recorded the pieces while undergoing treatment for cancer, which he has lived with for nearly a decade. The artist recalled the creative exercise in a brief statement, writing that after I finally %27came home%27 to my new temporary housing after a big operation, I found myself reaching for the synthesizer. I had no intention of composing something; I just wanted to be showered in sound.
Though async was composed after Sakamoto first learned of his cancer diagnosis, in 2017 his muse seemed to be in a more static-filled place. An oft-peaceful, occasionally tense series of a dozen pieces, each titled and sequenced according to the date Sakamoto composed it, 12 mixes reverberant piano melodies, which echo and sustain as if recorded at the edge of an abyss, with subtle but rich electroacoustic effects. Piano notes linger until they sound like a choir on 20211201, gently sustaining themselves until they merge with the collected hum of earlier notes. An Erik Satie-esque energy imbues both the phrases and the silence between them with a soothing, resolved beauty.
At times 12 is literally breathtaking. As the artist plays his instrument on 20220207 and others, the faint hiss of his inhalations and exhalations seeps into the recording, in effect tracking time not by meter or clock but through the body%27s natural pacing—the blessed state of living itself. Sakamoto has referred to 12 as a series of diary entries, which suggests a certain casualness. But the album is anything but. Rather, it%27s a self-portrait by an expert who can casually create masterpieces with a series of brilliantly executed brush strokes. © Randall Roberts/Qobuz
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