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专辑名称: Freakout/Release
创作艺人: [Hot Chip]
音乐流派: ELECTRONIC|电子音乐
专辑规格: 1碟11首
出品公司: Domino Recording Co
发行时间: 2022/8/19
官方标价: £6.39 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Down
Eleanor
Freakout/Release
Broken
Not Alone
Hard To Be Funky
Time
Miss The Bliss
The Evil That Men Do
Guilty
Out Of My Depth
详细介绍:
The English synthpop quintet are feeling good, if conflicted, on their eighth album. The idea of being out of control is always there in dance music, in a positive sense, Hot Chip%27s Al Doyle has said of the record%27s title and theme. But, as band member Joe Goddard pointed out: We were living through a period where it was very easy to feel like people were losing control of their lives in different ways. So while the irresistible track Eleanor—one of the band%27s best, ever—sounds as shiny and clean as a soap bubble bouncing through the sky, singer Alexis Taylor explained that It%27s about the world smashing into you, waves crashing into you, all-encompassing pain, and how you have to walk through it … The verses are about separation when families are divided against their will. (Hold me gently as you fall asleep/ Even if you believe that there%27s nothing more/ I feel heaven knocking at our door.) The dark introspection turns interior on the industrial Guilty—Why is there no stop sign when I start to implode?—and goes tongue-in-cheek for Hard to Be Funky, with its spooky breeze of synth and guest vocals from Lou Hayter. As the verses bear a rainy-day funk (only to shimmer in the chorus), Taylor ponders a paradox: Ain%27t it hard to be funky/ When you%27re not feeling sexy/ And it%27s hard to feel sexy/ When you%27re not very funky. The band must have been feeling sexy the day they recorded Down, a banger with traces of early Prince funkiness that samples Universal Togetherness Band%27s More Than Enough. The title track has a Kraftwerk-like beat, Not Alone is delicate, like a ballad from a fantasy anime film, and Broken wields Pet Shop Boys melodrama—with Taylor sounding like butter wouldn%27t melt in his mouth. Rapper Cadence Weapon lends cool lines to the theatrical The Evil That Men Do. Miss The Bliss, contradictorily, cruises on a blissful chill-out beat; Taylor sounds like a robot with a drone chorus behind him until a heavenly organ opens up the whole thing and you can practically feel the god light shining down. When the second half plays, it%27s almost like a house remix of the first part of the song: joyful synths, vibrant drum sounds, party organ.
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