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专辑名称: The Imaginary Music Book of J.S. Bach
创作艺人: [Café Zimmermann]
音乐流派: Classical|古典
专辑规格: 1碟16首
出品公司: Alpha Classics
发行时间: 2021/10/1
官方标价: ¥96.00 （会员免费下载）
域名语言: [en][de] （AI检测）
曲目介绍：
Sinfonia in D Major
I. Allegro
II. Adagio ma non troppo
III. Allegretto
Adagio e dolce (After Sonata No.3 in D Minor, BWV 527 by Johann Sebastian Bach)
Fugue – Allegro (After 'The Art of Fugue', BWV 1080 by Johann Sebastian Bach)
Wir danken Dir, Gott, BWV 29: Aria 'Hallelluja, Stärk’ und Macht' (Transcription for Four Instruments)
Himmelskönig, sei wilkommen, BWV 182: Sinfonia in G Major
Aria 'Gott soll allein mein Herze haben'
Schwingt freudig euch empor, BWV 36: Aria 'Auch mit gedämpften, schwachen Stimmen' (Transcription for Four Instruments)
Ein ungefärbt Gemüthe, BWV 24: Aria 'Ein ungefärbt Gemüthe' (Transcription for Four Instruments)
I. Largo
II. Allegro
III. Andante
IV. Allegro
Vor deinen Thron tret ich hiermit, BWV 668 (Transcription for Four Instruments)
详细介绍:
Johann Sebastian Bach has made the reputation of Café Zimmermann ever since the ensemble was formed in 1999. This new recording presents the music of the Kantor from a different angle, that of the notebooks in which musicians wrote down pieces and movements they particularly liked. This recording brings together works composed by Bach in the late 1740s which may be described as intimate in character, including the famous Trio Sonata from his Musical Offering. The Baroque idiom of this experimental sonata is contextualised by the innovative style developed by his son Carl Philipp Emanuel in one of his own trio sonatas. A number of arias by J. S. Bach are also presented here with exclusively instrumental forces.
Under the direction of violinist Pablo Valetti and harpsichordist Céline Frisch, the ensemble even ventures into Mozartian territory with the Aria and Fugue, K. 404a, taken from two pieces by Bach that Mozart himself had annotated and arranged in his own musical notebook. Finally, a chorale that Bach was particularly fond of, a three-part fugue played here by harpsichord and flute. Carl Philipp Emanuel had it printed at the end of his father’s musical testament, The Art of Fugue: Before thy throne I now appear. © Alpha Classics
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