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专辑名称: Beethoven: The Symphonies
创作艺人: [Yannick Nézet-Séguin – Chamber Orchestra of Europe]
音乐流派: Classical|古典
专辑规格: 1碟44首
出品公司: Deutsche Grammophon (DG)
发行时间: 2022/7/15
官方标价: £20.89 （会员免费下载）
域名语言: [it] （AI检测）
曲目介绍：
I. Adagio molto – Allegro con brio
II. Andante cantabile con moto
III. Menuetto. Allegro molto e vivace
IV. Finale. Adagio – Allegro molto e vivace
I. Adagio molto – Allegro con brio
II. Larghetto
III. Scherzo. Allegro
IV. Allegro molto
I. Allegro con brio
II. Marcia funèbre. Adagio assai
III. Scherzo. Allegro vivace
IV. Finale. Allegro molto
I. Adagio – Allegro vivace
II. Adagio
III. Allegro vivace
IV. Allegro ma non troppo
I. Allegro con brio
II. Andante con moto
III. Scherzo. Allegro – Trio
IV. Allegro
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
II. Szene am Bach. Andante molto mosso
III. Lustiges Zusammensein der Landleute. Allegro
IV. Gewitter, Sturm. Allegro
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
I. Poco sostenuto – Vivace
II. Allegretto
III. Presto – Assai meno presto
IV. Allegro con brio
I. Allegro vivace e con brio
II. Allegretto scherzando
III. Tempo di menuetto
IV. Allegro vivace
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile
IVa. Finale. Presto
IVb. Allegro assai
IVc. Presto – Recitativo "O Freunde, nicht diese Töne!"
IVd. Allegro assai vivace. Alla marcia "Froh, wie seine Sonnen fliegen"
IVe. Andante maestoso "Seid umschlungen, Millionen"
IVf. Allegro energico e sempre ben marcato "Freude, schöner Götterfunken"
IVg. Allegro ma non tanto "Freude, Tochter aus Elysium"
IVh. Poco Allegro – Prestissimo "Seid umschlungen, Millionen"
详细介绍:
For a long time, the scores of Beethoven’s nine symphonies have been carefully studied by both conductors and musicologists alike. Combined, they have published “original editions” to correct the faulty editions which had arisen in the past from both the negligence of the first editors and general misinterpretation, due to indecipherable manuscripts.
In 1982, conductor Igor Markevitch had published a rigorous and well-documented edition alongside a team of experienced musicologists. In 1998, Norman Del Mar decided to conduct a new edition with Bärenreiter. This new work was immediately recorded by David Zinman with the Tonhalle Orchestra of Zurich. Though, sadly, it went almost unnoticed next to the “historically informed” versions which were popular at the time.
It’s now time for Yannick Nézet-Seguin%27s take released with Deutsche Grammophon, a complete recording based on a brand-new critical edition, namely: “The New Beethoven Complete Edition”. In this, we find minor details of articulation and expression. The crucial aspect of this new recording, made over four concerts in July 2021 with the Chamber Orchestra of Europe, is the position of a young, gifted conductor who has perfectly assimilated to the playing styles that were rediscovered by his elders. Notably, Nikolaus Harnoncourt, whose complete works with the same orchestra caused a sensation upon their release in 1990 (Teldec).
The young Canadian, unlike Harnoncourt, Brüggen and Norrington, is far less radical. Yannick seeks—above all—to emphasise “the way Beethoven’s music can surprise us today.” His tempos are often brisk and his articulations salient, and his modest approach has resulted in music that’s thoroughly unpretentious. This playful, energetic and humble approach makes Beethoven’s music sound as topical as ever and employs a classicism which leaves no room for eccentricity. © François Hudry/Qobuz
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