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专辑名称: Handel: Winged Hands. The Eight Great Suites & Overtures
创作艺人: [Francesco Corti]
音乐流派: Classical|古典
专辑规格: 2碟49首
出品公司: Arcana
发行时间: 2022/3/4
官方标价: £7.99 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
I. Prelude
II. Allemande
III. Courante
IV. Gigue
Rodelinda, HWV 19, Ouverture: [Largo] – Presto – Adagio (Arr. for Harpsichord)
Rodelinda, HWV 19, Ouverture: Menuet (Arr. for Harpsichord)
I. Adagio
II. Allegro
III. Adagio
IV. Allegro
[Adagio] – Allegro – Adagio (Arr. for Harpsichord)
I. Prelude (Presto)
II. Allegro
III. Allemande
IV. Courante
V. Air
VI. Doubles
VII. Presto
I. Allegro
II. Allemande
III. Courante
IV. Sarabande
V. Gigue
First Set in F Major: Prelude (Presto)
Rinaldo, HWV 7, Ouverture: Vivace – Allegro – Adagio (Arr. for Harpsichord by William Babell)
Rinaldo, HWV 7, Ouverture: Giga (Presto) (Arr. for Harpsichord by William Babell)
Rinaldo, HWV 7, Ouverture: Lascia ch’io pianga” (Adagio) (Arr. for Harpsichord by William Babell)
I. Prelude
II. Allemande
III. Courante
IV. Air et Doubles
[Largo] – Allegro (Arr. for Harpsichord)
I. Prelude
II. Largo
III. Allegro
IV. Gigue (Presto)
Teseo, HWV 9, Ouverture: [Largo] – Allegro – Lentement (Arr. for Harpsichord)
Teseo, HWV 9, Ouverture: Allegro (Arr. for Harpsichord)
I. Ouverture (Largo – Presto – Lentement)
II. Andante
III. Allegro
IV. Sarabande
V. Gigue
VI. Passacaillle
I. Prelude (Adagio)
II. Allegro
III. Allemande
IV. Courante
V. Gigue
详细介绍:
In the autumn of 2020, Francesco Corti published a superb programme, including various works by Johann Sebastian Bach surrounded by pieces by Kuhnau, Telemann and Hasse. A delightful surprise! The publication of the second volume of his complete keyboard concertos by the Leipzig Cantor (with il Pomo d%27Oro, Pentatone) a few months later proved one thing: this young Italian is, without doubt, one of the most accomplished and inventive musicians in the modern baroque scene. This time, Arcana are releasing the great Suites pour clavecin by Georg Friedrich Handel; more precisely the complete first volume of the eight Suites that Handel published in London in 1720. Corti alternates them with excerpts from operas, using keyboard transcriptions that were made during Handel%27s lifetime.
The recording by the incredible Ken Yoshida is less bright than in the previous Arcana release, but it still fully immerses us into the instrument; this winning performance by the Italian harpsichordist is hypnotising. The transcriptions of Rodelinda (magnificent!), Il pastor fido, Rinaldo (William Babell%27s highly ornate arrangement of Lascia ch%27io pianga, which possesses an agogic freedom which is simply magic), Radamisto and Teseo, are the climax of this double album, dramatically laying bare the harpsichordist%27s seemingly inexhaustible talent.
With his first eight Suites from 1720, Handel left behind hard evidence of his innate mastery on the piano, and Francesco Corti revels in it. These pieces are full of energy, momentum, and contrasts and the last two numbers of Suite No. 3 (Doubles – Presto) are exquisite! A while back, Pierre Hantaï approached some of these same works with synthesis and reflection. Francesco Corti, on the other hand, sees them more as an object of study, a writing experience, a game. It’s a musical firework display and a real game-changer! © Pierre-Yves Lascar/Qobuz
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