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专辑名称: Beethoven: Piano Sonatas Opp. 101 & 106 (Recorded 2021-2)
创作艺人: [Maurizio Pollini]
音乐流派: Classical|古典
专辑规格: 1碟8首
出品公司: Deutsche Grammophon (DG)
发行时间: 2022/12/2
官方标价: £8.39 （会员免费下载）
域名语言: [de][en][it] （AI检测）
曲目介绍：
I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo (Recorded 2021-2)
II. Lebhaft, marschmäßig. Vivace alla marcia (Recorded 2021-2)
III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto (Recorded 2021-2)
IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro (Recorded 2021-2)
I. Allegro (Recorded 2021-2)
II. Scherzo. Assai vivace (Recorded 2021-2)
III. Adagio sostenuto (Recorded 2021-2)
IV. Largo – Allegro risoluto (Recorded 2021-2)
详细介绍:
The autumn of 2022 has blessed us with some stunning escapes into the world of Beethoven. Three weeks after Anne Queffélec’s impeccable album devoted to the composer’s last three sonatas (Opus 109 to 111), Italian pianist Maurizio Pollini has delivered a recording of Sonata in A major Op. 101 and the unparalleled Hammerklavier Op. 106 (a feat many pianists can only dream of conquering). The programme offers a strange balance between form and content…
In terms of content, this release is a real return to roots for Pollini, who already recorded the ‘last sonatas’ in the 1970s (in fact, it was this recording that won him a Gramophone Award). With regards to form, this album was recorded in almost live conditions. Set in Munich’s Hercules Hall, an elegant but unsettling echo is projected over the pieces, providing an evocative backdrop to Pollini’s bright piano. In short, this release offers a broad vision of Pollini’s subject. However, this splendid view enjoyed by the pianist suggests that he may be forfeiting the connection to his audience and the creation of a here-and-now: where the only thing that matters is the union between performer and listener. It’s therefore difficult to know how best to experience these top-quality renditions. What exactly are listeners dealing with here? A passionate encounter between a composer and his perfect performer? Or is it simply evidence of a great pianist in his twilight years who has nothing left to prove? The answer to this, however, is not important. Ultimately, this is a magnificent revisiting of one of the greatest composers of all time. © Pierre Lamy/Qobuz
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