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专辑名称: Paris (Chausson, Prokofiev, Rautavaara)
创作艺人: [Hilary Hahn, Philharmonique de Radio France, Mikko Franck]
音乐流派: Classical|古典
专辑规格: 1碟6首
出品公司: Deutsche Grammophon (DG)
发行时间: 2021/3/5
官方标价: £8.39 （会员免费下载）
域名语言: [pt][it][fr] （AI检测）
曲目介绍：
Chausson: Poème for Violin and Orchestra, Op. 25
I. Andantino. Andante assai
II. Scherzo: Vivacissimo
III. Moderato. Allegro moderato
No. 1. Sérénade pour mon amour. Moderato
No. 2. Sérénade pour la vie. Andante assai. Comodo. Agitato
详细介绍:
No one would guess it from its flowery cover photo. But Hilary Hahn%27s opus %27Paris%27 takes us into the heart of three of the most extraordinarily moving moments written for the violin between the end of the 19th century and the early years of this century. Einojuhani Rautavaara%27s Two Serenades, were written in 2015 and 2016 for the American violinist. They are splendid, and exalt her origins, enhanced by memories of impressionist music and the mark of the inescapable Shostakovich – the latter from the first violin theme. The work is often reminiscent of Barber and Vaughan Williams, as if the Finnish composer had immersed himself in his patron%27s recordings of Barber%27s Concerto (Sony Classical) and the Briton%27s Lark Ascending (Deutsche Grammophon). In the first of the two pieces, Serenade to my Love, Rautavaara best captures the particularities of Hilary Hahn%27s sonority, more dark than radiant, warm in the mediums, never quite bright. A great connoisseur of his compatriot%27s music, Mikko Franck conducts these two pages with élan. In his hands the orchestral writing resembles shimmering garlands: there is often a hint of melancholy, a fully Finnish feeling, especially in its more dour aspects.
Interiority rather than brilliance is also the hallmark of this performance of Prokofiev%27s First Concerto (1916-1917). From an equally luminous perspective, Lisa Batiashvili%27s violin, for example, (with Yannick Nézet-Séguin, Deutsche Grammophon 2018) seemed more radiant, and varied in accentuation, at the risk of sounding slightly lurid at times. In 2009, for his first album, released by EMI Classics, Vilde Frang had proposed an exciting recording. It is magical, with a ghostly spirit and lunar poetry. Here, with the perhaps more unique tones of the Radio France Philharmonic Orchestra, Hilary Hahn offers a rather restrained expression. It is never distant, but rather melancholic! … It is a pity, however, that this recording is only coming out just now. She has performed this work everywhere, and in a more luminous and superlative style (Lorin Maazel, with the Bavarian Radio Symphony Orchestra). Finally, Chausson%27s Poem remains more convincing. It is performance as prayer. © Pierre-Yves Lascar/Qobuz
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