HR 96.0kHz/24Bit 
专辑名称: Handel: La Resurrezione
创作艺人: [The English Concert, Harry Bicket and Sophie Bevan]
音乐流派: Classical|古典
专辑规格: 2碟50首
出品公司: Linn Records
发行时间: 2022/4/8
官方标价: £11.59 （会员免费下载）
域名语言: [it] （AI检测）
曲目介绍：
La Resurrezione, HWV 47, Pt. 1: Sonata
I. Aria. Disserratevi, o porte d’Averno (Angel)
II. Recitative. Qual’ insolita luce (Lucifer)
III. Aria. Caddi, è ver (Lucifer)
IV. Recitative. Ma che veggio? (Lucifer, Angel)
V. Aria. D’amor fu consiglio (Angel)
VI. Recitative. E ben, questo tuo Nume (Lucifer, Angel)
VII. Aria. O voi, dell’Erebo (Lucifer)
I. Recitative. Notte, notte funesta (Magdalene)
II. Aria. Ferma l’ali (Magdalene)
III. Recitative. Concedi, o Maddalena (Cleophas, Magdalene)
IV. Aria. Piangete, sì, piangete (Cleophas)
V. Recitative. Ahi, dolce mio Signore (Magdalene, Cleophas)
VI. Duet. Dolci chiodi (Magdalene, Cleophas)
VII. Recitative. O Cleofe, o Maddalena (John, Magdalene)
VIII. Aria. Quando è parto (John)
IX. Recitative. Ma dinne, e sarà vero (Cleophas, John, Magdalene)
X. Aria. Naufragando va per l’onde (Cleophas)
XI. Recitative. Itene pure, o fide (John, Magdalene)
XII. Aria. Così la tortorella (John)
XIII. Recitative. Se Maria dunque spera (Magdalene)
XIV. Aria. Ho un non so che nel cor (Magdalene)
I. Recitative. Uscite pure (Angel)
II. Chorus. Il Nume vincitor (Angel, Chorus of Angels)
I. Introduction
II. Recitative. Di quai nuovi portenti (John)
III. Aria. Ecco il sol, ch’esce dal mare (John)
IV. Recitative. Ma ove Maria dimora (John)
I. Aria. Risorga il mondo (Angel)
II. Recitative. Di rabbia indarno freme (Angel)
III. Recitative. Misero! ho pure udito? (Lucifer, Angel)
IV. Aria. Per celare il nuovo scorno (Lucifer)
V. Recitative. O come cieco il tuo furor delira! (Angel, Lucifer)
VI. Duet. Impedirlo saprò! (Lucifer, Angel)
I. Recitative. Amica, troppo tardo (Magdalene, Cleophas)
II. Aria. Per me già di morire (Magdalene)
III. Recitative. Ahi, abborrito nome! (Lucifer)
I. Aria. Vedo il ciel che più sereno (Cleophas)
II. Recitative. Cleofe, siam giunte al luogo (Magdalene, Cleophas, Angel)
III. Aria. Se per colpa di donna infelice (Angel)
IV. Recitative. Mio Gesù, mio Signore (Magdalene)
V. Aria. Del ciglio dolente (Magdalene)
VI. Recitative. Sì, sì, cerchiamo pure (Cleophas)
VII. Aria. Augelletti, ruscelletti (Cleophas)
I. Recitative. Dove sì frettolosi (John, Cleophas)
II. Aria. Caro figlio! (John)
III. Recitative. Cleofe, Giovanni, udite (Magdalene, John, Cleophas)
IV. Aria. Se impassibile, immortale (Magdalene)
V. Recitative. Sì, sì, col redentore (John, Cleophas, Magdalene)
VI. Chorus. Diasi lode in cielo, in terra
详细介绍:
This recording sees Harry Bicket continue his long love affair with Handel, which began back in 1996 at the Glyndebourne Festival when he conducted Theodora, produced by Peter Sellars. Here, Harry Bicket and the musicians from The English Concert tackle the oratorio La Resurrezione, following their recording of Rodelinda which was incredibly well-received by critics in 2021. With a well-knit team of excellent soloists in the ensemble, Bicket delivers a colourful interpretation of Handel’s work with sharp rhythms and beautiful instrumental tones.
Created in 1708 at the Palazzo Bonelli (now the Palazzo Valentini) in Rome, under led by Corelli, La Resurrezione caused a scandal when Pope Clement XI sent a stern admonition to young Handel%27s patron, Marquis Francesco Maria Ruspoli, for having a woman (!) sing in a publicly performed religious work. The pope was clearly unable to understand the innovative nature of this musical feat.
Through a libretto that superimposes two events taking place on the evening of Good Friday and Easter morning, Handel writes touching and dramatic scenes for an orchestral ensemble of 40 musicians, which was very large for the time. It also required two castrati male vocalists and the aforementioned soprano who was condemned by the Church. With his use of rare and diverse instruments, the young German composer gave his orchestra warm, powerful tones right from the outsight. © François Hudry/Qobuz
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