HR 96.0kHz/24Bit 
专辑名称: Beethoven: Piano Sonatas
创作艺人: [Wilhelm Kempff]
音乐流派: Classical|古典
专辑规格: 1碟102首
出品公司: Deutsche Grammophon (DG)
发行时间: 2013/9/2
官方标价: £14.99 （会员免费下载）
域名语言: [it] （AI检测）
曲目介绍：
I. Allegro
II. Adagio
III. Menuetto (Allegretto)
IV. Prestissimo
I. Allegro vivace
II. Largo appassionato
III. Scherzo (Allegretto)
IV. Rondo (Grazioso)
I. Allegro con brio
II. Adagio
III. Scherzo. Allegro
IV. Allegro assai
I. Allegro molto e con brio
II. Largo, con gran espressione
III. Allegro
IV. Rondo (Poco allegretto e grazioso)
I. Allegro molto e con brio
II. Adagio molto
III. Finale. Prestissimo
I. Allegro
II. Allegretto
III. Presto
I. Presto
II. Largo e mesto
III. Menuetto. Allegro
IV. Rondo. Allegro
I. Grave (Allegro di molto e con brio)
II. Adagio cantabile
III. Rondo (Allegro)
1. Allegro
2. Allegretto
3. Rondo (Allegro comodo)
1. Allegro
2. Andante
3. Scherzo (Allegro assai)
1. Allegro con brio
2. Adagio con molto espressione
3. Menuetto
4. Rondo (Allegretto)
I. Andante con variazioni
II. Scherzo (Allegro molto)
III. Marcia funebre sulla morte d'un Eroe
IV. Allegro
I. Andante – Allegro – Tempo I
II. Allegro molto e vivace
III. Adagio con espressione
IV. Allegro vivace – Tempo I – Presto
I. Adagio sostenuto
II. Allegretto
III. Presto agitato
详细介绍:
One could easily lose oneself in the meanderings of the many recordings by Wilhelm Kempff, which stretch out across the 55 years from 1920 to 1975, even though he never liked playing for the microphone. But nonetheless he has always been happy to record, and would constantly polish up his technique so as to render the most faithful possible service to his art, across both his own evolution and the technological innovations that he has seen through his many years of recording, from acoustics to stereophony. The great German pianist left behind him three complete recordings of Beethoven%27s sonatas. The first was in the 1930s, but it wasn%27t quite complete; the second in the 1950s; and a final collection, brought together in this recording, from the early 1960s, with stereo sound. Recorded quite quickly, considering the volume of material involved, between January 1964 and January 1965, in the studios of Hanover%27s Deutsche Grammophon Gesellschaft, it represents Wilhelm Kempff%27s final statement on Beethoven%27s work, having drawn closer to it over the course of several years. While the piano isn%27t without the odd harsh moment, this complete recording is of very even quality, and it brings out Kempff%27s free playing style which had brought Beethoven into the light, avoiding the heavy-handedness which German pianists had often inflicted on the composer. This search for clarity and simplicity came close to the improvisatory style that was Beethoven%27s hallmark, as he quickly noted whatever his imagination brought forth. © François Hudry/Qobuz
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