HR 96.0kHz/24Bit 
专辑名称: Lillian Gordis Plays Bach
创作艺人: [Lillian Gordis]
音乐流派: Classical|古典
专辑规格: 2碟33首
出品公司: Paraty
发行时间: 2022/3/25
官方标价: £17.59 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium
Partita No. 1 in B-Flat Major, BWV 825: II. Allemande
Partita No. 1 in B-Flat Major, BWV 825: III. Corrente
Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande
Partita No. 1 in B-Flat Major, BWV 825: V. Menuet I & II
Partita No. 1 in B-Flat Major, BWV 825: VI. Giga
Well-Tempered Clavier, Book II, Prelude & Fugue in B-Flat Major, BWV 890: I. Prélude
Well-Tempered Clavier, Book II, Prelude & Fugue in B-Flat Major, BWV 890: II. Fugue
Well-Tempered Clavier, Book II, Prelude & Fugue in B-Flat Minor, BWV 891: I. Prélude
Well-Tempered Clavier, Book II, Prelude & Fugue in B-Flat Minor, BWV 891: II. Fugue
English Suite No. 3 in G Minor, BWV 808: I. Prélude
English Suite No. 3 in G Minor, BWV 808: II. Allemande
English Suite No. 3 in G Minor, BWV 808: III. Courante
English Suite No. 3 in G Minor, BWV 808: IV. Sarabande, Les agréments de la même Sarabande
English Suite No. 3 in G Minor, BWV 808: V. Gavotte I alternativement & Gavotte II ou la Musette
English Suite No. 3 in G Minor, BWV 808: VI. Gigue
English Suite No. 5 in E Minor, BWV 810: I. Prélude
English Suite No. 5 in E Minor, BWV 810: II. Allemande
English Suite No. 5 in E Minor, BWV 810: III. Courante
English Suite No. 5 in E Minor, BWV 810: IV. Sarabande
English Suite No. 5 in E Minor, BWV 810: V. Passepied I en Rondeau, Passepied II
English Suite No. 5 in E Minor, BWV 810: VI. Gigue
Well-Tempered Clavier II, Prelude & Fugue in C-Sharp Minor, BWV 873: I. Prélude
Well-Tempered Clavier II, Prelude & Fugue in C-Sharp Minor, BWV 873: II. Fugue
Well-Tempered Clavier II, Prelude & Fugue in D Major, BWV 874: I. Prélude
Well-Tempered Clavier II, Prelude & Fugue in D Major, BWV 874: II. Fugue
Partita No. 4 in D Major, BWV 828: I. Ouverture
Partita No. 4 in D Major, BWV 828: II. Allemande
Partita No. 4 in D Major, BWV 828: III. Courante
Partita No. 4 in D Major, BWV 828: IV. Aria
Partita No. 4 in D Major, BWV 828: V. Sarabande
Partita No. 4 in D Major, BWV 828: VI. Menuet
Partita No. 4 in D Major, BWV 828: VII. Gigue
详细介绍:
An incredible release! Lillian Gordis’ playing is artfully phrased and showcases such agogic freedom, not to mention her knack for the art of surprise and suspension! The success of this rendition is achieved through its bold ornamentation (Prelude in B flat major), wide spectrum of sound (Partita No. 1, Gigue left hand), and playful approach to resonance.
With this incredible double album, American harpsichordist Lillian Gordis pays tribute to two musicians who left an impact on her younger years: Leonhardt and Hantai, both of whom utilised the fabulous acoustics of the Doopsgezinde Kerk in Haarlem, the Netherlands, to record their music. Following in their footsteps, Gordis chose to record her latest collection in this exact same location in November 2020. This recording includes two English Suites (Nos. 3 and 5), two Partitas (Nos. 1 and 4) and four Preludes and Fugues from The Well-Tempered Clavier – Book 2: The huge BWV 890 in B flat major, the conceptual BWV 891 in B flat major, the tender and effusive BWV 873 in C sharp minor and, last but not least, the joyful and glorious BWV 874 in D major. Here, we feel Lillian be swept up in the magic of this venue, leading to an otherworldly performance.
These two musical hours are breath-taking in every sense of the word: they’re free, fantastical and rigorous, and possess incredible momentum. One such example is Prelude in D major BWV 874, where bugles, oboes and flutes provide a wonderfully rustic atmosphere. She often creates phrase breaks to let her unusual and surprisingly precise imagination shine through. Lillian Gordis is a master of rhythm, always creating mesmerising dance structures, just as Blandine Verlet once did in some of her old recordings (Philips). There are also clear polyphonies throughout the record (particularly in Partita n° 4).
But the most surprising and mesmerising thing here is the narrative strength of this take on Bach’s work, and its joyful abandon of scholastic spirit. This recording truly reflects life; its strangeness, oddities and baroque temptations as well as its joy, luminosity and abundance. Without doubt, this is well worth a listen. © Pierre-Yves Lascar/Qobuz
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