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专辑名称: Brahms: Late Piano Works, Opp. 116-119
创作艺人: [PAUL LEWIS]
音乐流派: Classical|古典
专辑规格: 1碟20首
出品公司: harmonia mundi
发行时间: 2022/1/21
官方标价: £7.49 （会员免费下载）
域名语言: [it] （AI检测）
曲目介绍：
No. 1, Capriccio in D Minor. Presto energico
No. 2, Intermezzo in A Minor. Andante
No. 3, Capriccio in G Minor. Allegro passionato
No. 4, Intermezzo in E Major. Adagio
No. 5, Intermezzo in E Minor. Andante con grazia ed intimassimo sentimento
No. 6, Intermezzo in E Major. Andantino teneramente
No. 7, Capriccio in D Minor. Allegro agitato
No. 1, Intermezzo in E-Flat Major. Andante moderato
No. 2, Intermezzo in B-Flat Minor. Andante non troppo e con molto espressione
No. 3, Intermezzo in C-Sharp Minor. Andante con moto
No. 1, Intermezzo in A Minor. Allegro non assai, ma molto appassionato
No. 2, Intermezzo in A Major. Andante teneramente
No. 3, Ballade in G Minor. Allegro energico
No. 4, Intermezzo in F Minor. Allegretto un poco agitato
No. 5, Romanze in F Major. Andante
No. 6, Intermezzo in E-Flat Minor. Andante, largo e mesto
No. 1, Intermezzo in B Minor. Adagio
No. 2, Intermezzo in E Minor. Andantino un poco agitato
No. 3, Intermezzo in C Major. Grazioso e giocoso
No. 4, Rhapsody in E-Flat Major. Allegro risoluto
详细介绍:
In his beautifully written sleeve notes to this late Brahms solo recital from Paul Lewis, Brahms authority Matthias Kornemann draws our attention to the uniqueness of Brahms’s late oeuvre being one that Brahms himself consciously sectioned off from the rest of his output. That having made the unusual decision to cease composing aged 59, driven by the conviction that he had said all he had to say, Brahms was then lured back to his manuscript paper after hearing the playing of clarinettist Richard Mühlfeld and being suddenly possessed of a desire to penetrate, as Arnold Schoenberg put it, to the “uttermost limit of the still-expressible”. And without doubt there is a palpable autumnal quality to the ensuing late period’s works, both for clarinet and for solo piano, because while Brahms on the one hand cleaved resolutely to his faith in absolute music with no programmatic subtext, he simultaneously produced works that feel suffused with autumnal expression; of melancholic thoughts of reminiscence, farewell and death.
Consequently, the late piano works – the 7 Fantasien Op. 116, the 3 Intermezzi, Op. 117, the 6 Klavierstücke Op. 118 and the 4 Klavierstücke Op. 119 – always tend to weave an especial spell when grouped together in their own recital. However that feeling does feel especially palpable across these readings from Paul Lewis, recorded in January 2018 and January 2019 at the Teldex Studio Berlin. A lot has to do with the gentle, soft-focus quality to his tone, which reaps especial dividends in pieces such as the first Op. 117 Intermezzo in E-flat with its simple cantabile intimacy, or the dreamy trills of the Op. 118 Romance in F major – and yet equally without negating the impact of high-drama declamations such as the opening of the Op. 118 Ballade in G minor.
Lewis’s poetic capabilities, and his range of colour and dynamic, are giving you fresh things to appreciate with every new emotional twist and turn. Take the Op. 118 Intermezzo in E-flat minor, for instance, as he moves from despairing, whispered lines that appear lost and floating in darkness, to his defiant central climax. Or the way in which he harnesses metrical push and pull, and rubato, into helping every piece unfurl as an outpouring of constantly developing rhetoric. Sticking with Op. 118, listen to his heart-breaking hesitation just before exiting the flowing pathos of the Intermezzo in A major’s central F minor section.
In short, a spellbinding set of readings. © Charlotte Gardner/Qobuz
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