HR 96.0kHz/24Bit 
专辑名称: Pergolesi: Stabat Mater
创作艺人: [Jodie Devos, Adèle Charvet and Julien Chauvin]
音乐流派: Classical|古典
专辑规格: 1碟17首
出品公司: Alpha Classics
发行时间: 2022/2/4
官方标价: £7.99 （会员免费下载）
域名语言: [ca][en] （AI检测）
曲目介绍：
I. Stabat Mater dolorosa
II. Cujus animam gementem
III. O quam tristis et afflicta
IV. Quae moerebat et dolebat
V. Quis est homo qui non fleret
VI. Vidit suum dulcem natum
VII. Eja, Mater fons amoris
VIII. Fac, ut ardeat cor meum
IX. Sancta Mater, istud agas
X. Fac, ut portem Christi moetem
Stabat Mater in F Minor, P.77: XI. Inflammatus et accensus
XII. Quando corpus morietur
XIII. Amen
I. Adagio
II. Allegro di molto
III. Menuet – Trio
IV. Finale. Presto
详细介绍:
Since the LP was released in the 1950s, there have been countless versions of Pergolesi’s Stabat Mater. The piece instantly captivates the listener, expressing such a sense of suffering through its deliciously abrasive harmony. From a purely economic perspective, it’s affordable too, containing only a small number of strings, a continuo to suit a variety of contexts, and only two solo voices: a soprano and a mezzo.
In more recent years, falsetto singers have begun to feature in this famous score. However, this new version hasn’t got onboard with this emerging trend, opting instead for two female vocalists whose careers are really starting to take off: soprano Jodie Devos and mezzo-soprano Adèle Charvet. These two well-embodied voices ring out in striking contrast with the youthful voices of the Maîtrise de Radio France choir directed by Marie-Noelle Maerten.
Pergolesi’s Stabat Mater has been performed all over Europe since its premiere and has been an undeniable success, having been played dozens of times in Paris at the Concert Spirituel from the 1750s onwards. The number of people involved in the piece would often differ and the cast would be changed depending on the specific circumstance and availability of soloists (back then, this score wasn’t revered like it is today). With this new recording, Julien Chauvin has created a version in which the choir plays a real role in the narration of the piece, even conversing directly with the soloists.
The French musician then chose Haydn’s Symphony in F minor, also known as “La Passione” to complement Stabat Mater. This is the perfect accompaniment, ensuring that his ensemble, Le Concert de la Loge, really shines, and that the drama and passion of Pergolesi’s masterpiece isn’t cut short. © François Hudry/Qobuz
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