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专辑名称: Bruckner: Symphony No.4 in E-flat Major, WAB 104 (Edition Haas)
创作艺人: [Christian Thielemann & Wiener Philharmoniker]
音乐流派: Classical|古典
专辑规格: 1碟4首
出品公司: Sony Classical
发行时间: 2021/10/8
官方标价: £10.19 （会员免费下载）
域名语言: [de] （AI检测）
曲目介绍：
I. Bewegt, nicht zu schnell
II. Andante quasi Allegretto
III. Scherzo. Bewegt. Trio. Nicht zu schnell. Keinesfalls schleppend
IV. Finale. Bewegt, doch nicht zu schnell
详细介绍:
Like his illustrious Bruckner colleagues of the past, Eugen Jochum, Günter Wand and Bernard Haitink, Christian Thielemann has performed one version after another of the great Viennese symphonist%27s works. No sooner had he completed his fine Bruckner concert series with the Dresden Staatskapelle than he was making a new recording for Sony Classical of the Fourth Symphony, the Romantic, performed at the 2020 Salzburg Festival, this time conducting the Wiener Philharmoniker. This Fourth follows the Third & Eighth Symphonies from the same publisher. Before that there was also Symphony N° 5 with the Munich Philharmonic (2005, Deutsche Grammophon), to add to a very fine Seventh with the Berlin Philharmonic Orchestra published by the Berlin phalanx%27s own label as part of a boxed set of Bruckner%27s nine symphonies performed by several conductors.
Not always easy to follow… but when you love Bruckner you don%27t keep count, especially as he is one of the German conductor%27s favourite composers, and of whom he refines his vision of the nine masterpieces year after year. This new complete set, which will be the first by the Viennese with just one conductor, should be completed in 2024 on the occasion of the bicentenary of the birth of Anton Bruckner, who is increasingly popular with conductors around the world. The days when his music seemed abstruse and interminable are far behind us.
Over time, Christian Thielemann%27s baton, if not his eruptive character, has softened and become more personal. He no longer seeks to follow slavishly in the footsteps of the great German conductors of the mid-twentieth century, finding his own style, a mixture of grandeur and powerful warmth, with fairly measured tempos that allow the music to breathe in all its plenitude. This new cornerstone in the immense Brucknerian edifice is firmly rooted in the German tradition and at the same time exploits the inexhaustible resources of the Viennese musicians, with whom Thielemann seems to be in perfect harmony. © François Hudry/Qobuz
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