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专辑名称: Rossini: Il barbiere di Siviglia
创作艺人: [Teresa Berganza]
音乐流派: Classical|古典
专辑规格: 1碟21首
出品公司: Deutsche Grammophon (DG)
发行时间: 1972/1/1
官方标价: £10.49 （会员免费下载）
域名语言: [it] （AI检测）
曲目介绍：
Overture (Sinfonia)
No. 1 Introduzione: "Piano, pianissimo"
"Ecco, ridente in cielo" – "Ehi, Fiorello?" – "Gente indiscreta!"
"Largo al factotum" – "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo)
"Se il mio nome saper voi bramate" – "Oh cielo!"
No. 4 Duetto: "All'idea di quel metallo"
"Una voce poco fa" – "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio)
"La calunnia è un venticello" – "Ah! che ne dite?" (Basilio / Basilio, Bartolo, Figaro, Rosina)
"Dunque io son" – "Ora mi sento meglio" (Rosina, Figaro / Rosina, Bartolo)
No. 8 Aria: "A un dottor della mia sorte"
Recitativo: "Finora in questa camera" – No. 9 Finale I: "Ehi, di casa!… buona gente!…"
Alto là!
"Ma signor…" "Zitto tu!"
"Ma vedi il mio destino!" – "Pace e gioia sia con voi" – "Insomma, mio Signore" (Bartolo / Conte, Bartolo / Bartolo, Conte, Rosina)
"Contro un cor che accende amore" – "Bella voce! Bravissima!" (Rosina, Conte / Conte, Rosina, Bartolo)
"Quando mi sei vicina" – "Bravo, signor barbiere" (Bartolo / Bartolo, Figaro, Rosina, Conte)
No. 13 Quintetto: "Don Basilio!" – Recitativo: "Ah! Disgraziato me!"- Recitativo: "Che vecchio sospettoso!"
"Il vecchiotto cerca moglie" – "Dunque voi Don Alonso" (Berta / Bartolo, Basilio, Rosina)
Temporale (Thunderstorm) – "Alfine, eccoci qua" (Figaro, Conte, Rosina)
"Ah! qual colpo inaspettato!" – "Ah, disgraziati noi!" (Rosina, Figaro, Conte / Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale)
No. 19 Finaletto II: "Di sì felice innesto"
详细介绍:
This is a Barbiere di qualità, di qualità: in fact, of very great quality indeed, from Deutsche Grammophon. Recorded in London in the summer of 1971, it is one of the first meetings of Claudio Abbado and the London Symphony Orchestra. It is also the first of Alberto Zedda%27s philological editions of Rossini%27s works, whose scores have been covered over by inherited errors for over a century. Getting rid of the additions which have, quite wrongly, become traditional, means restoring certain interruptions and the fine instrumentation of the period; and above all, singing and playing without exaggerations, thanks to an innate sense for the theatre. It%27s a spot of spring cleaning which has restored the youth of the 24-year-old composer%27s masterpiece.
Bravo, signor barbiere, ma bravo! It is a dream record, with singers who are well-versed in the repertoire. Everyone is right where they need to be, from Teresa Berganza%27s wiley and cheeky Rosina, to the refined and hard-working Figaro played by Hermann Prey, via Luigi Alva%27s frivolous Count and the utterly ridiculous Basilio played by the outrageous Paolo Montarsolo. We%27re amused by their antics, as we admire the well-oiled and unstoppable machine of Rossini%27s theatre, under the unceasingly inventive and thrilling baton of Claudio Abbado. © François Hudry/Qobuz
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