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专辑名称: Locke: Psyche
创作艺人: [Ensemble Correspondances, Sébastien Daucé]
音乐流派: Classical|古典
专辑规格: 2碟55首
出品公司: harmonia mundi
发行时间: 2022/9/23
官方标价: £11.99 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Psyche, Act I: Overture
Psyche, Act I Scene 1: A symphony of recorders and soft musick
Psyche, Act I Scene 1: Great Psyche, goddess of each Field and Grove (Pan & Nymphs)
Psyche, Act I Scene 1: A rustick dance of Sylvans & Dryads
Psyche, Act I Scene 1: Symphony of rustick musick representing an eccho
Psyche, Act I Scene 1: Song of Ecchoes "Great Psyche shall find no such pleasure as here"
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace
Psyche, Act I Scene 1: Entry of Envy
Psyche, Act I Scene 1: Song of Envy & Furies "Envy 'gainst Psyche"
Psyche, Act I Scene 1: Entry of the Princes Nicander & Polynices
Psyche, Act I Scene 1: Symphony at the descending of Venus in her chariot drawn by doves
Psyche, Act I Scene 1: With kindness I your pray'rs receive (Venus)
Psyche, Act I Scene 1: Symphony at the ascending of Venus in her chariot drawn by doves
Psyche, Act II: Curtain tune. The temple of Apollo Delphicus
Psyche, Act II Scene 1: Song of procession in the temple "Let's to Apollo's Altar now repair"
Psyche, Act II Scene 1: Son of Latona (Chief Priest)
Psyche, Act II Scene 1: Dance of Priests
Psyche, Act II Scene 1: To Apollo, our Celestial King (Chief Priest & his attendants)
Psyche, Act II Scene 1: Ceremony for Apollo
Psyche, Act II Scene 2: Entry for Despairing Lovers
Psyche, Act II Scene 2: Break, break distracted heart (Four Despairing Lovers)
Psyche, Act II Scene 2: Intermède. Plainte italienne (extr. from Lully's Psyché)
Psyche, Act III: Curtain tune
Psyche, Act III Scene 1: Dance of Cyclops
Psyche, Act III Scene 1: Song of Vulcan "Ye bold Sons of Earth"
Psyche, Act III Scene 1: Song at the Treat of Cupid & Psyche "All joy to fair Psyche"
Psyche, Act III Scene 2: Warlike dance with a consort of loud martial musick
Psyche, Act III Scene 2: Song and dance of the Salij "Let us loudly rejoice"
Psyche, Act III Scene 2: Song of Praesul "Great God of War"
Psyche, Act III Scene 2: Warlike dance
Psyche, Act III Scene 2: While we to Mars (Praesul)
Psyche, Act III Scene 2: Venus & Mars meet in the Air in their chariots; his drawn by horses, and hers by doves
Psyche, Act III Scene 2: Song of Venus & Mars "Great God of War"
Psyche, Act III Scene 2: Entry of Furies
Psyche, Act IV Scene 1: Curtain tune. A stately garden belonging to the magnificent palace
Psyche, Act IV Scene 1: Entry for Cupids
Psyche, Act IV Scene 1: Song for Cupids "Let old Age"
Psyche, Act IV Scene 1: Dance of the statues, leaping from their pedestals
Psyche, Act IV Scene 2: Stay, stay (God of the River & two Nymphs to Psyche)
Psyche, Act IV Scene 2: Symphony at the descending of Venus
Psyche, Act V: Curtain tune. Burning ruins of buildings, the throne of Pluto, and a great number of Devils & Furies
Psyche, Act V Scene 1: To what great distresses (Devils & Furies)
Psyche, Act V Scene 1: Dance of the Furies
Psyche, Act V Scene 1: Entry of Pluto
Psyche, Act V Scene 1: Refrain your tears (Pluto)
Psyche, Act V Scene 1: Psyche, draw near (Proserpina & Pluto)
Psyche, Act V Scene 1: Be gone, fair Psyche (Proserpina & Pluto)
Psyche, Act V Scenes 2 & 3: Symphony at the descending of Apollo and the Gods
Psyche, Act V Scene 3: Assemble all the ye Heavenly Quire (Apollo)
Psyche, Act V Scene 3: On Earth by unkindness (Three Elysian Lovers)
详细介绍:
Sébastien Daucé, musicologist and conductor of the Correspondances ensemble, has embarked on an extensive reconstruction of Psyche, one of the first operas composed in England based on the French tragedy-ballet of the same name (written by Molière, Quinault, Corneille and Lully). The original work was commissioned by Louis XIV to be performed in the magnificent Versailles. His first cousin and King of England, Charles II, not wanting to be outdone, successfully matched the artistic brilliance of his royal relative, whose lavish show had brought together hundreds of artists (at a huge cost considering it was just for the sole pleasure of a privileged few).
Created by two composers, Matthew Locke and Giovanni Battista Draghi, the passage of time has left the English opera fragmented, as is often the case for works from this period. Only a part of Locke%27s music has been restored, and it took all of Sébastien Daucé%27s knowledge and imagination to reconstruct Draghi%27s music.
This shrewd recreation remains hypothetical, constituting a sort of ‘pasticcio’ very close to what could have been achieved during the Baroque period, during which time the notion of an ‘original work’ had not yet been introduced. This reconstruction is based on English theatre music of the time. It is beautifully successful thanks to a vibrant cast of singers (all of whom are experienced in this repertoire) and the stunning orchestra that boasts a variety of tones, combining strings, woodwinds, brass, rich continuo and percussion. ‘It’s a strange music, which constitutes a new language for us whilst simultaneously possessing the characteristics of court ballet,’ explains Sébastien Daucé, who conducts the work with a firm and joyful hand. © François Hudry/Qobuz
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