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专辑名称: Black Radio III
创作艺人: [Robert Glasper]
音乐流派: Jazz|爵士
专辑规格: 1碟13首
出品公司: Loma Vista Recordings
发行时间: 2022/2/25
官方标价: £8.39 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
In Tune [ft. Amir Sulaiman]
Black Superhero [ft. Killer Mike, BJ The Chicago Kid & Big K.R.I.T.]
Shine [ft. D Smoke & Tiffany Gouché]
Why We Speak [ft. Q-Tip & Esperanza Spalding]
Over [ft. Yebba]
Better Than I Imagined [ft. H.E.R. & Meshell Ndegeocello]
Everybody Wants To Rule The World [ft. Lalah Hathaway & Common]
Everybody Love [ft. Musiq Soulchild & Posdnuos]
It Don't Matter [ft. Gregory Porter + Ledisi]
Heaven's Here [ft. Ant Clemons]
Out of My Hands [ft. Jennifer Hudson]
Forever [ft. PJ Morton & India.Arie]
Bright Lights [ft. Ty Dolla $ign]
详细介绍:
Robert Glasper%27s mission of using modern jazz as a foundation and launchpoint for exploring multiple facets of contemporary Black music returns with the third installment of Black Radio, nearly a decade after the second. Notably removed from the equation though, is the Experiment of the first two iterations. With Glasper as the individual anchor here, Black Radio III shifts both textually and tonally away from the idea of his jazz band backing some hip-hop and R&B musicians and more into a realm of Glasper%27s piano-playing and compositional hand guiding a melange of all-stars through a range of exciting material.
Black Radio III works both as a flowing, cohesive statement—the emotional and narrative flow is well-sequenced—and (like a good radio station) as a sampler of excellence. Eliding over any and all genre differences, Glasper once again treats all modern Black music as points on a spectrum, rather than cloistered corners of exclusion, resulting in an album that feels electrically modern, definitively rooted in soul, but also infinitely mutable. He skillfully deploys the best performers where they%27re most effective, whether it%27s India.Arie or Big K.R.I.T. or Q-Tip or Esperanza Spalding (singing in French), mixing and matching with gleeful—but respectful—abandon.
That%27s not to say the songs aren%27t well-crafted or considered. A surprising cover of Everybody Wants to Rule the World could have been a straight-ahead read, but instead is rendered dramatic and low-key, with Lalah Hathaway%27s warm, lush vocals dominating the first part and a dense, tense rap by Common closing it out; Glasper%27s piano nearly disappears, but his presence never does. Likewise, the soulful, staccato groove on Better Than I Imagined finds a didn%27t-know-we-needed-it dream team of H.E.R. and Meshell Ndegeocello duetting in a display of strengths upon strengths that, were he alive, Prince would have most certainly found his way into the middle of. However, it%27s with the album%27s closing track—Bright Lights—that the success of this, er, experiment really comes into sharp focus. Ty Dolla $ign%27s hook on Bright Lights is jaw-droppingly gorgeous (maybe even more beautiful than Musiq Soulchild%27s earlier turn on Everybody Love, which is saying something), ending the album out on a slightly wistful, deeply musical, and unapologetically hip-hop-focused note. © Jason Ferguson/Qobuz
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