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专辑名称: Side-Eye NYC (V1.IV)
创作艺人: [Pat Metheny]
音乐流派: Jazz|爵士
专辑规格: 1碟8首
出品公司: Modern Recordings
发行时间: 2021/9/10
官方标价: £8.79 （会员免费下载）
域名语言: [en][de] （AI检测）
曲目介绍：
It Starts When We Disappear
Better Days Ahead
Timeline
Bright Size Life
Lodger
Sirabhorn
Turnaround
Zenith Blue
详细介绍:
Once a child prodigy, and then a flashy youth, guitarist Pat Metheny has now become a jazz elder. As such he%27s made the selfless decision to return the favor of the older players who mentored him, by working with a cadre of young players, showing them the ropes of touring, and allowing them, as he puts it in the liner notes of Side-Eye, the chance to develop through the prism of his experience. With an organ trio (numbered IV hence the title) anchored by 26-year-old multi-keyboardist James Francies, Metheny recorded a set of new compositions and re-imagined older originals in a September 2019 concert at New York%27s Sony Hall. Captured in full, dynamic sound by engineer Pete Karam and co-produced by longtime Metheny cohort Steve Rodby—both of whom are prominently credited in the liner notes—the partnership of Metheny and Francies opens with a new composition, the long, straight-ahead workout It Starts When We Disappear. Innovative drummer Marcus Gilmore (Vijay Iyer, Ambrose Akinmusire) establishes a fast swinging rhythm over which Metheny, on guitar, bass, guitar synth and orchestrionics (his word for a plethora of electronic and acoustic instruments he controls), picks out crystalline guitar notes whose signature ringing tone has become as unmistakable as Miles Davis%27 muted horn. That%27s followed by a shadowy reworking of Better Days Ahead (from 1989%27s Letter from Home) on which Francies is generously credited as arranger. (Metheny notes, Francies brought a vibe that provided a fresh way of looking at it.) On a funky, R&B-influenced version of another Metheny original, Timeline (first recorded by the late Michael Brecker), Francies adds quavering B-3 organ textures while Gilmore swings madly. In another typically stellar Metheny set of nothing but highlights, two additional tracks do stand out however. Covering Ornette Coleman%27s bluesy Turnaround, Metheny and Francies trade solos, often stepping out completely, leaving the other with only Gilmore%27s steady support over which their economical expressions pour forth. And for anyone who%27s ever wondered where Metheny might stack up in the pantheon of rock guitarists, there%27s Lodger—no relation to the Bowie album of the same name. Switching to what sounds like a solid body electric Les Paul, he tastefully cuts loose, in a jazz-influenced kind of way on the instrumental power ballad. Right on cue, an appreciative crowd hoots their approval. With a hint of the fruitful keyboard and guitar partnership with Lyle Mays that energized many of the guitarist%27s most famous albums, Side-Eye NYC (V1.IV) is the sound of master and his apprentice further enriching the Metheny legacy. © Robert Baird/Qobuz
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