HR 96.0kHz/24Bit 
专辑名称: Louise
创作艺人: [Émile Parisien with Theo Croker, Roberto Negro, Manu Codjia, Joe Martin & Nasheet Waits]
音乐流派: Jazz|爵士
专辑规格: 1碟10首
出品公司: ACT Music
发行时间: 2022/1/28
官方标价: £7.99 （会员免费下载）
域名语言: [en][it] （AI检测）
曲目介绍：
Louise
Madagascar
Memento, Pt. I
Memento, Pt. II
Memento, Pt. III
Il Giorno Della Civetta
Jojo
Jungle Jig
Prayer 4 Peace
Madagascar (Single Edit)
详细介绍:
Mentored early in his career by Clark Terry, Bobby Hutcherson, Oscar Peterson and Wynton Marsalis, French soprano saxophonist Émile Parisien has an affinity for the American jazz scene. It%27s no surprise then that in an effort to broaden the conversations on Louise, his seventh album as a leader, Parisien added Americans Theo Croker (trumpet), Joe Martin (bass) and Nasheet Waits (drums) to his longtime associates Roberto Negro (piano) and Manu Codjia (guitar). The jazz constant of shuffling players in hopes of sparking fresh originality and inspired playing is an imperfect art. But here the successful results add further weight to Parisien%27s quest to make soprano saxophone a respected lead instrument rather than an occasional diversion best known from John Coltrane%27s My Favorite Things.
Louise is named for French-American artist Louise Bourgeois, who while best known for her spider-like sculptures, also employed weaving in her work, which Parisien uses as a major theme as well. In the title track opener, Croker and Parisien establish an immediate connection. Parisien enters with the slow, unfolding drama of a sunrise over quiet low chords on the piano. He%27s soon joined by Croker, the grandson of trumpeter and contemporary of Louis Armstrong, Doc Cheatham, and the pair double lines with Codjia adding accents. The emotion here is cool and misty. The dialogue between Croker and Parisien deepens in the album%27s only cover, Joe Zawinul%27s Madagascar where a steady though not frantic rhythm drives the pace, while both horns find plenty of solo space. Pianist Negro also makes good use of his moments.
Parisien%27s three-part composition Memento is at the heart of this album. A showcase for the thoughtful, plaintive tones and introspective writing that he prefers. Pt. 1 features him and Croker playing legato horn lines while Codjia steps out on a screaming fusion-esque solo. Part II begins with a sprightly exercise of Negro%27s piano before insistent, metallic rhythms lead into Part III where Croker stretches his improvisational legs against a galloping bet. Later, Parisien nods towards bop%27s fast horn anthems of the past (think: Charlie Parker). Louise closes with Parisien%27s tender, layered global wish, Prayer 4 Peace where reverb on the horns add a resonant quality. This is a wonderful gathering of voices and ideas from a sextet whose obvious musical connections make for leader Parisien%27s most accomplished and substantial set so far, one that should give him further prominence in the jazz universe. © Robert Baird/Qobuz
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