HR 48.0kHz/24Bit 
专辑名称: Deciphering The Message
创作艺人: [Makaya McCraven]
音乐流派: Jazz|爵士
专辑规格: 1碟13首
出品公司: Blue Note Records
发行时间: 2021/11/19
官方标价: £8.39 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
A Slice Of The Top
Sunset
When Your Lover Has Gone
Ecaroh
Tranquillity
Wail Bait
Coppin' The Haven
Frank's Tune
Autumn In New York
Monaco
Mr. Jin
C.F.D.
Black Rhythm Happening
详细介绍:
Bebop jazz remix albums are nothing new. In fact when it comes to the revered Blue Note catalog, it%27s been plumbed by remixers a number of times in recent years since Don Was took over as label president. As trendy an idea as it is, remixing or more accurately making new albums out of the raw materials provided by a catalog as illustrious as Blue Note%27s is a delicate dance. To succeed you must stay respectful of the sources while adding to their legacy and making music that, as drummer/remixer Makaya McCraven puts it, people can vibe to. There%27s even an underlying educational element to these remixes. If the beat scientist generation hears a track with Lee Morgan%27s trumpet or Hank Mobley%27s tenor sax, perhaps this will pique enough curiosity to explore the original records. An edge that McCraven has over straight remixers who may only be manipulating laptops is that he can add live instrumental tracks to samples of the original recordings. With the octet he%27s assembled—vibraphonist Joel Ross, trumpeter Marquis Hill, alto saxophonist Greg Ward, guitarists Matt Gold and Jeff Parker, bassist Junius Paul, and De%27Sean Jones on tenor saxophone and flute—McCraven can control, accentuate and reshape the core rhythms of the older recordings, guiding the remix with live drums and percussion. His method is intricate and controversial, often working best when just he and a few extra instrumentalists contribute. A track like Wail Bait, written by Quincy Jones and originally played by an all-star group of boppers including trumpeter Clifford Brown, pianist John Lewis and drummer Art Blakey, now has Brown%27s horn and Blakey%27s drums opening before McCraven%27s drums enter and then Jones%27 flute, Ross%27 vibraphone and McCraven on guitar take over the tune. In Kenny Burrell%27s version of Autumn in New York, here called Spring in Chicago, his original guitar part meshes beautifully with the added flute and vibes. The massed female voices present in the original of Eddie Gale%27s Black Rhythm Happening are seamlessly joined by drummer McCraven and Jones on tenor sax and flute on a remix of the same name. While Jack Wilson%27s Frank%27s Tune, now called De%27Jeff%27s Tune, %27ventures a long way from the original with added keyboards and flute, it does have one of McCraven%27s wisest touches—spoken introductions from original Blue Note records, in this case by Blakey. Adding fresh grooves to classic jazz has uncovered new messages in venerated vessels. © Robert Baird/Qobuz
主题授权提示：请在后台主题设置-主题授权-激活主题的正版授权，授权购买：RiTheme官网