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专辑名称: Epistrophy (Live At The Village Vanguard, New York, NY / 2016)
创作艺人: [Bill Frisell]
音乐流派: Jazz|爵士
专辑规格: 1碟9首
出品公司: ECM
发行时间: 2019/4/12
官方标价: £8.39 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
All In Fun (Live At The Village Vanguard, New York, NY / 2016)
Wildwood Flower / Save The Last Dance For Me (Live At The Village Vanguard, New York, NY / 2016)
Mumbo Jumbo (Live At The Village Vanguard, New York, NY / 2016)
You Only Live Twice (Live At The Village Vanguard, New York, NY / 2016)
Lush Life (Live At The Village Vanguard, New York, NY / 2016)
Epistrophy (Live At The Village Vanguard, New York, NY / 2016)
Pannonica (Live At The Village Vanguard, New York, NY / 2016)
Red River Valley (Live At The Village Vanguard, New York, NY / 2016)
In The Wee Small Hours Of The Morning (Live At The Village Vanguard, New York, NY / 2016)
详细介绍:
Guitar and bass duos are a rewarding subgenre of jazz—pairings like Jim Hall/Ron Carter or Ralph Towner/Gary Peacock come to mind—that’s recently been dominated by the extrasensory connection between the perennially underrated Thomas Morgan and the do-it-all guitarist Bill Frisell.
Despite a title derived from the Thelonious Monk-penned standard that’s covered here, jazz is not an accurate description of Morgan and Frisell%27s increasingly intrepid shared vision. The closest label would be a highly idiosyncratic version of Americana. There%27s a sinuous take on the iconic Red River Valley and a straighter reading of Monk but also dashes of Billy Strayhorn (Lush Life) and Frank Sinatra (In The Wee Small Hours of the Morning), resulting in a mysterious, all-encompassing flavor. As proof of their wide-ranging tastes and ability to make any music their own, a fearless, unlikely mashup of Wildwood Flower (made famous by the Carter Family) and the Doc Pomus classic Save The Last Dance for Me, somehow brings out the essence of both tunes. While Frisell’s signature meandering, idea-heavy, reverbed style provides the bones throughout the nine tracks, it’s Morgan who fills out the flesh.
Recorded live in the basement of New York City%27s iconic Village Vanguard, Epistrophy highlights the close-miked richness of both Frisell%27s resonant guitar tones and Morgan%27s soft-edged bass contours. Except for the inevitable coughs that occur during the performances and modest applause between tunes, crowd noise here is largely absent, leaving the guitar and bass to naturally entwine in a wonderfully perceptive and creative dance. © Robert Baird / Qobuz
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