HR 96.0kHz/24Bit 
专辑名称: Revolver (Super Deluxe)
创作艺人: [The Beatles]
音乐流派: ROCK|摇滚
专辑规格: 5碟63首
出品公司: UMC (Universal Music Catalogue)
发行时间: 1966/8/5
官方标价: £23.99 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Taxman (2022 Mix)
Eleanor Rigby (2022 Mix)
I'm Only Sleeping (2022 Mix)
Love You To (2022 Mix)
Here, There And Everywhere (2022 Mix)
Yellow Submarine (2022 Mix)
She Said She Said (2022 Mix)
Good Day Sunshine (2022 Mix)
And Your Bird Can Sing (2022 Mix)
For No One (2022 Mix)
Doctor Robert (2022 Mix)
I Want To Tell You (2022 Mix)
Got To Get You Into My Life (2022 Mix)
Tomorrow Never Knows (2022 Mix)
Tomorrow Never Knows (Take 1)
Tomorrow Never Knows (Mono Mix RM 11)
Got To Get You Into My Life (First Version / Take 5)
Got To Get You Into My Life (Second Version / Unnumbered Mix)
Got To Get You Into My Life (Second Version / Take 8)
Love You To (Take 1)
Love You To (Unnumbered Rehearsal)
Love You To (Take 7)
Paperback Writer (Takes 1 & 2 / Backing Track)
Rain (Take 5 / Actual Speed)
Rain (Take 5 / Slowed Down For Master Tape)
Doctor Robert (Take 7)
And Your Bird Can Sing (First Version / Take 2)
And Your Bird Can Sing (First Version / Take 2 / Giggling)
And Your Bird Can Sing (Second Version / Take 5)
Taxman (Take 11)
I’m Only Sleeping (Rehearsal Fragment)
I’m Only Sleeping (Take 2)
I’m Only Sleeping (Take 5)
I’m Only Sleeping (Mono Mix RM1)
Eleanor Rigby (Speech Before Take 2)
Eleanor Rigby (Take 2)
For No One (Take 10 / Backing Track)
Yellow Submarine (Songwriting Work Tape / Part 1)
Yellow Submarine (Songwriting Work Tape / Part 2)
Yellow Submarine (Take 4 Before Sound Effects)
Yellow Submarine (Highlighted Sound Effects)
I Want To Tell You (Speech & Take 4)
Here, There And Everywhere (Take 6)
She Said She Said (John's Demo)
She Said She Said (Take 15 / Backing Track Rehearsal)
Taxman (Mono)
Eleanor Rigby (Mono)
I'm Only Sleeping (Mono)
Love You To (Mono)
Here, There And Everywhere (Mono)
详细介绍:
Drop everything: it%27s here! For once, a reissue-plus-rarities set that%27s worth all the time you have. Revolver, the Beatles%27 seventh studio album originally issued on August 5,1966, is widely celebrated as the greatest single album of the rock era. It brought psychedelic invention paired with impeccable melodies to the entire world. That first, wildly inventive release remains beyond stunning, and this is not meant to supplant it in any way.
The expanded reissue of Revolver shows us the most successful band in the world at the top of their powers, in love with possibility (each song is a different template for sonic possibilities, from blue-eyed soul to avant-garde pop to beautiful melancholic dream music), and still absolutely in love with being a band. The unabashed, youthful enthusiasm for using the studio as an instrument, which would be their path forward as they no longer toured after the release of Revolver, is on special display in all of the outtakes.
You likely know the original inside and out, so be prepared. The new mixes by Giles Martin and Sam Okell are truly high fidelity. As you might have read, Martin (son to George) and Okell employ a de-mixing technology recently developed by Emile de la Rey and others for the Peter Jackson Get Back documentary project. New details emerge, and the voice separation is spectacular. We%27re not saying that it%27s like you are hearing it for the first time, but you will discern new elements in a way that enhances and never detracts.
This is so difficult to not only accomplish, but to do well. We%27ve all fallen for reissues that don%27t live up to the hype. Some grand sonic experiments with reissuing can take years to realize. Perhaps they didn%27t need to lop off half of the sonic information on the 1990s era Robert Johnson reissues in order to present the music without the crackles and pops of the original 78s. This new de-mix (get it?) is surely a new standard. Hundreds of hours of expert care went into this release.
If you haven%27t listened in a while, the same questions remain, such as why begin their biggest leap forward with a song as lurching and meh as Taxman? Aside from that song being merely good and not mind-blowing, the only quibble is that the release%27s track listing presents different outtakes and demos of the same track end to end. One does see them flower and fracture by doing this, but after the first listens, it might be repetitive. This ahead-of-its-time full-length is so close to perfect.
Beatlemaniacs and newborn fans alike must consider this the new reference, the new source. As the band infamously sing on Tomorrow Never Knows (which has the most revelatory demos of all on this set), invoking both Eastern thought and contemporary enthusiasts of the psychedelic revolution, Lay down all thoughts, surrender to the void; it is shining, it is shining. © Mike McGonigal/Qobuz
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