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专辑名称: Unlimited Love
创作艺人: [Red Hot Chili Peppers]
音乐流派: ROCK|摇滚
专辑规格: 1碟17首
出品公司: Warner Records
发行时间: 2022/4/1
官方标价: £13.69 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Black Summer
Here Ever After
Aquatic Mouth Dance
Not the One
Poster Child
The Great Apes
It's Only Natural
She's a Lover
These Are the Ways
Whatchu Thinkin'
Bastards of Light
White Braids & Pillow Chair
One Way Traffic
Veronica
Let 'Em Cry
The Heavy Wing
Tangelo
详细介绍:
The twelfth album from Red Hot Chili Peppers, Unlimited Love, is notable for several reasons: Next year, the band will have been around for 40 years; it%27s their first since 2009 with on-again, off-again guitarist John Frusciante; and they%27ve returned to producer Rick Rubin, who helmed their 1991 commercial breakthrough Blood Sugar Sex Magik. The old gang sounds like they%27re having more fun than ever. Aquatic Mouth Dance is at once undeniably RHCP and also like nothing they%27ve done before: With a breezy R&B chorus and a vibrant wash of brass, it%27s almost an Earth, Wind & Fire song; it%27s also Flea at his finest, delivering super-funky bass that shows why he%27s gone from being seen as a party doofus to earning real respect. A wild tribute to 1980s LA nightlife, the song name-drops John Doe, the Misfits, Billy Zoom, the old Starwood and the long-closed Cathay club where the band got its start, and even offers a self-referential wink to an old album: Spilling beer is a good fountain/ Like the milk from a mother%27s tit. The band is also in a nostalgic mood on loose-limbed Poster Child, a wah-inflected wordplay buffet: Melle Mel and Richard Hell/ Were dancing at the Taco Bell/ When someone heard a rebel yell … Lizzy looking mighty thin/ The Thompsons had another twin … Steve Miller and Duran Duran/ A joker dancing in the sand. With its ayo-ayo chorus, One Way Traffic already feels like classic RHCP, as Anthony Kiedis laments his friends getting older and settling down: Now they read them catalogs. (His escape? Driving down the PCH, music turned up, to a killer surf spot.) There are heavy moments—These Are the Ways is pure grunge; Here Ever After feels ominous; and The Heavy Wing lives up to its name with eye-watering guitar—and dreamy ones that showcase Frusciante%27s fluid touch (ballad Not the One, the Steely Dan chill of Let %27Em Cry, the slip-and-slide R&B of She%27s a Lover). There%27s even a song that does both, as Whatchu Thinkin%27 flies from pretty, slightly psyched-out melody to blissed-out jam. The band is also, after all these years, still able to evolve and surprise. Bastards of Light gets almost country before it crests in a grunge breakdown; White Braids & Pillow Chair is a slice of experimental weirdness, weaving in bits of gospel and rumbling Western scores. (The verdict is still out on Kiedis%27 Hiberno-meets-pirate affectation on the stomper Black Summer.) This is much, much more than a legacy band turning out the same old stuff.
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