HR 44.1kHz/24Bit 
专辑名称: The Tipping Point
创作艺人: [Tears For Fears]
音乐流派: ROCK|摇滚
专辑规格: 1碟10首
出品公司: Concord Records
发行时间: 2022/2/25
官方标价: £7.39 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
No Small Thing
The Tipping Point
Long, Long, Long Time
Break The Man
My Demons
Rivers Of Mercy
Please Be Happy
Master Plan
End Of Night
Stay
详细介绍:
For their first album in 18 years, Tears for Fears sound completely revitalized and as beautiful and engaging as ever. Remarkably, it%27s fueled in part by the 2017 death of Roland Orzabal%27s wife and partner of many years and his denial about losing her. I think that when you%27ve been close to someone for decades, they are living within you as well as without, he has said. And consciously I did not believe she would die, though subconsciously I was, without doubt, preparing for the inevitable, arming myself against the future shock. The title track is shimmering and mysterious, with strident drums and alien beeps but also vocals like a soothing balm. Winter done, they%27ll soon be gone/ From this unforgiving place/ To that vague and distant void/ Where the sunlight splits the eye, Orzabal sings of that threshold from life to death. It is heartbreaking, but also hopeful. Please Be Happy is incredibly candid—and one of their prettiest tracks: These days it%27s like a wave is breaking over you/ Dragging you in with the undertow/ If you lay among the graves you will see other ghosts. And No Small Thing, about facing the heartbreak of losing your love, is a stunner. Stripped-back acoustic guitar builds to the dreamy psychedelia Tears for Fears has always done so well, the whole thing swelling to a bursting-the-seams crescendo by the end. Long, Long, Long Time shows how the duo have always been masters of dynamics, its hymn-like organ giving way to a monster chorus; the song also reminds you just how much Sam Smith owes Curt Smith for their angelic style. Master Plan giddily dips into the band%27s longtime love of Sgt. Pepper-era Beatles, and Break the Man is catchy jangle pop touched with moody strings. My Demons, meanwhile, is a nasty piece of work, in the best way (one akin to Depeche Mode%27s Personal Jesus), with Orzabal drilling the doomed lyrics: Why is my name in lights when my name is spelled wrong … People always find you when your cell phone is on. Smith comes in to sweeten up the chorus, but he sounds thrillingly stretched to his limits as the rhythm gallops like a sweating horse. Put The Tipping Point on the shelf next to Joan Didion%27s The Year of Magical Thinking for times of crisis.
主题授权提示：请在后台主题设置-主题授权-激活主题的正版授权，授权购买：RiTheme官网