HR 192.0kHz/24Bit 
专辑名称: Come Away With Me
创作艺人: [Norah Jones]
音乐流派: ROCK|摇滚
专辑规格: 1碟14首
出品公司: Blue Note Records
发行时间: 2002/1/1
官方标价: £8.99 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Don't Know Why (192kHz/24bit)
Seven Years (192kHz/24bit)
Cold Cold Heart (192kHz/24bit)
Feelin’ The Same Way (192kHz/24bit)
Come Away With Me (192kHz/24bit)
Shoot The Moon (192kHz/24bit)
Turn Me On (192kHz/24bit)
Lonestar (192kHz/24bit)
I’ve Got To See You Again (192kHz/24bit)
Painter Song (192kHz/24bit)
One Flight Down (192kHz/24bit)
Nightingale (192kHz/24bit)
The Long Day Is Over (192kHz/24bit)
The Nearness Of You (192kHz/24bit)
详细介绍:
What does a shrug sound like? On Don%27t Know Why,” the opening track of her debut effort, Norah Jones suggests a few possibilities. The first time she sings the title phrase, she gives it a touch of indifference, the classic tossed-off movie-star shrug. Her tone shifts slightly when she hits the chorus, to convey twinges of sadness; here the casual phrasing could be an attempt to shake off a sharp memory. Later, she shrugs in a way that conveys resignation, possibly regret—she%27s replaying a scene, trying to understand what happened.
Those shrugs and shadings, tools deployed by every jazz vocalist of the 1950s, are inescapable throughout Come Away With Me—in part because everything surrounding Jones%27 voice is so chill. There%27s room for her to emote, and room for gently cresting piano and organ chords. Unlike so many of her contemporaries, Jones knows instinctively how much (or how little!) singer the song needs. The secret of this record, which came out when Jones was 22, is its almost defiant approachability: It is calm, and open, and gentle, music for a lazy afternoon in a porch swing. As transfixing covers of Hank Williams%27 Cold Cold Heart” and Hoagy Carmichael%27s The Nearness of You” make clear, Jones thinks about contours and shadows when she sings; her storytelling depends as much on the scene and the atmosphere as the narrative.
And Jones applies the same understatement to the original songs here, which weave together elements of country, pop, jazz and torch balladry in inventive ways. It%27s one thing to render an old tune with modern cleverness, a skill Jones had honed as a solo pianist/singer before she was discovered. It%27s quite another to transform an original tune, like Jesse Harris%27 Don%27t Know Why,” into something that sounds ageless and eternal, like a standard. Jones does that, over and over, using just shrugs and implications, rarely raising her voice much above a whisper. © Tom Moon/Qobuz
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