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专辑名称: Jagged Little Pill (2015 Remaster)
创作艺人: [Alanis Morissette]
音乐流派: ROCK|摇滚
专辑规格: 1碟13首
出品公司: Rhino – Maverick Records
发行时间: 1995/6/13
官方标价: £11.29 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
All I Really Want (2015 Remaster)
You Oughta Know (2015 Remaster)
Perfect (2015 Remaster)
Hand in My Pocket (2015 Remaster)
Right Through You (2015 Remaster)
Forgiven (2015 Remaster)
You Learn (2015 Remaster)
Head over Feet (2015 Remaster)
Mary Jane (2015 Remaster)
Ironic (2015 Remaster)
Not the Doctor (2015 Remaster)
Wake Up (2015 Remaster)
You Oughta Know (Jimmy the Saint Blend) / Your House (A Capella; 2015 Remaster)
详细介绍:
It%27s hard to overstate how much the songs of Jagged Little Pill — released on feminist pioneer Madonna%27s Maverick label at a moment when Hootie & the Blowfish and the theme from Friends were anesthetizing America — shook up pop radio in 1995. No one was prepared for first single You Oughta Know, which stormed into ubiquity in a blaze of raw fury aimed at a Mr. Duplicity who rebounded too soon. Often mis-characterized as pure vengeance, the dynamics-propelled rocker (with bass and guitar from Flea and Dave Navarro, then of the Red Hot Chili Peppers) was really about being forthright and staking a claim to un-pretty feelings: And every time you speak her name/ Does she know how you told me/ You%27d hold me until you died. Of course, Morissette had no choice but to be divisive. From the album%27s opener All I Really Want, you%27ll know if you love or hate her voice, with its affected tics and shrieks. Let it also be said that Jagged Little Pill is not an album for those who find harmonica grating, and that jaunty hit Ironic may drive literalists crazy with its litany of inconveniences (It%27s like ten thousand spoons when all you need is a knife). But it%27s that lack of self-consciousness from Morissette (19 years old at the time) that makes songs such as the grungy Forgiven — a defiance against patriarchal Catholic guilt — and self-empowerment bop You Learn a clarion call of independence for young women looking to ditch fear. It also let her create a completely new sound that didn%27t draw directly from typical female influences (save for the folksy Hand In My Pocket, which comes on like the spiritual descendent of Edie Brickell%27s What I Am) and left a mold for countless female artists after. © Qobuz
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