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专辑名称: Reeling
创作艺人: [The Mysterines]
音乐流派: ROCK|摇滚
专辑规格: 1碟13首
出品公司: Fiction
发行时间: 2022/3/11
官方标价: £6.99 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Life's a Bitch (But I Like it So Much)
Hung Up
Reeling
Old Friends Die Hard
Dangerous
On The Run
Under Your Skin
The Bad Thing
In My Head
Means To Bleed
All These Things
Still Call You Home
The Confession Song
详细介绍:
Thanks to the youthful but tantalising grunge of the self-released EP Take Control in 2019, the Mysterines, initially coalesced around singer/guitarist Lia Metcalfe, George Favager (bass) and Chrissy Moore (drums), had caught the ear of BBC Introducing%27s talent scouts, who placed them on their radio airwaves and promptly invited them to play their Reading and Leeds festival springboard stage. This huge exposure opened the door to support acts such as Royal Blood and The Amazons, and created enough anticipation for their first full-length album. Released on the Fiction label, Reeling, a 43-minute rock explosion, allows the Liverpudlians to come out of the woodwork. Not without pain. After a year of ups and downs, a change of drummer and an extra guitarist, the quartet had to lock themselves up for three weeks in Assault & Battery studios, between two London confinements, to record under the watchful eye of producer and sound engineer Catherine Marks (Foals, Wolf Alice, The Killers). And all this was sometimes done in one take.
It was a difficult gestation period that ended up being beneficial, according to drummer Paul Crilly: We couldn%27t go out without forgetting the album, or spending time with other people. It was a real relief to hand it over once we%27d done our bit. This tension captured within four walls creates the raw material and guides the tracklisting. At the climax of this pressure, this rock on the grill, opens Life%27s A Bitch (But I Like It So Much) and then Hung Up, with their fat riffs and saturations. The pressure eases but remains legible on the more country Old Friend / Die Hard and the guitar ballad Still Call You Home. They end insidiously on the dark and creepy Nick Cave-like slowness of Confession Song with its gothic piano. When I first listened to the test pressing, I could feel all those moments in the studio again, says Crilly. Boosted by Lia%27s voice, like a destructive high priestess of rock, the aptly named Reeling unfolds an unbridled rock nuance, from garage captured on the fly to more delicately laid-back pop melodies. Amazing and rather mature for a band barely out of their teens. Qobuzissime! © Charlotte Saintoin/Qobuz
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