HR 48.0kHz/24Bit 
专辑名称: C’mon You Know (Deluxe Edition)
创作艺人: [Liam Gallagher]
音乐流派: ROCK|摇滚
专辑规格: 1碟14首
出品公司: Warner Records
发行时间: 2022/5/27
官方标价: £13.69 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
More Power
Diamond In The Dark
Don’t Go Halfway
C’mon You Know
Too Good For Giving Up
It Was Not Meant To Be
Everything's Electric
World’s In Need
Moscow Rules
I’m Free
Better Days
Oh Sweet Children
The Joker
Wave
详细介绍:
Oasis was always a two-head hydra that needed both parts to work: Noel Gallagher%27s songwriting—deceptively simple, inescapably catchy—and brother Liam%27s lightning-in-a-bottle charisma. Individually, neither has been able to match the heights of Oasis since their contentious split in 2009. The siblings%27 solo work isn%27t just missing the hooks and the big singalong choruses. It%27s also absent the competitive foil that only came from being in the same hothouse: the aim to be the star of their own band rather than rock %27n%27 roll in general (despite efforts to pick feuds with Blur and others, it was really always about the competition between the brothers Gallagher). Now, Liam has finally made a record that%27s up to snuff—full of provocative twists and killer melodies. For one thing, he%27s gotten really good at choosing collaborators. Three records in, he%27s hit on an intriguing place with producers/songwriters Andrew Wyatt (Lorde, Miike Snow) and Greg Kurstin (Adele, Maren Morris, Foo Fighters, Paul McCartney).
And after decades of Beatles worship, Liam has discovered the Rolling Stones. More Power is a memorable ballad that builds to an epic climax, referencing You Can%27t Always Get What You Want in its opening children%27s choir, the lyric You won%27t get the girl you want/ But you get the girl you need, and flammable blues guitar. How I wish I had more power, Liam sings, the fire in his belly seemingly renewed. Is this what you came for? Why yes, sir, it certainly is. The title track strips the Stones%27 gospel choir flare-ups and sinister bluesy stomp and runs them through the Britpop filter, to great effect. Age has robbed Liam%27s nasal tone of some clarity, with Hashimoto%27s disease—which affects the thyroid gland—adding a slight hoarse quality, but he soars on the %2770s street soul of The Joker. All that is not to say Liam has given up on Lennon and McCartney: With its chunky drums and psych-lite flourishes, Don%27t Go Halfway has Rubber Soul vibes. Everything%27s Electric grows exponentially with each bar, piling on big spaced-out vocals and Dave Grohl on drums. There are echoes of Arctic Monkeys in the slithering Diamond in the Dark and bad-ass guitar of Wave, and ELO chorus grandiosity on Oh Sweet Children. But there%27s plenty of unexpected experimentation, too. It Was Not Meant to Be is a jolly retro jaunt, and Moscow Rules, a collaboration with Vampire Weekend%27s Ezra Koenig, is positively baroque. And I%27m Free veers from mod stomp to psych-out to a bit of dancehall reggae. Meanwhile, the piano ballad Too Good for Giving Up sounds like nothing so much as an Oasis classic: capturing that weird alchemy of egotistic smarm melted to school-boy sincerity by a gorgeous melody and swan-graceful strings. Earlier this year, Liam commented that it was a shame Oasis broke up and that he is open to reuniting—this song could serve as an olive branch to his brother.
主题授权提示：请在后台主题设置-主题授权-激活主题的正版授权，授权购买：RiTheme官网