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专辑名称: The Other Side Of Make-Believe
创作艺人: [Interpol]
音乐流派: ROCK|摇滚
专辑规格: 1碟11首
出品公司: Matador
发行时间: 2022/7/15
官方标价: £10.49 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Toni
Fables
Into the Night
Mr. Credit
Something Changed
Renegade Hearts
Passenger
Greenwich
Gran Hotel
Big Shot City
Go Easy (Palermo)
详细介绍:
Singer Paul Banks has described Fables, an early single off Interpol%27s seventh studio album, as having [guitarist Daniel Kessler%27s] hottest licks, a breezy vocal with optimistic lyrics and a bouncy drum beat evocative of classic R&B with a nod to the golden age of hip-hop. It%27s a summer jam… He might be the only person in the world to take that away from this gothic sounding and feeling (You%27re truly erupting too hard/ That%27s why you%27re a sizeable God/ And I am decidedly cold) track; if anything, it%27s the soundtrack of summer at Wuthering Heights. But it does have a great singalong chorus, and besides—you don%27t come to Interpol for R&B summer jams. You%27re here for tracks like the dark-hearted Something Changed, with its haunting piano, lounge-jazz drum and a delightfully odd vibe that suggests if The National covered Interpol. Or moody Toni, with its skittering drum beat and vocals that, according to Banks, producer Flood compared to Mickey Rourke in Barfly, singing to a patron at the end of the tabletop. The Other Side of Make-Believe is co-produced by Flood and his longtime collaborator Alan Moulder, and there are touches of the duo%27s grand, open sound that made albums by U2 and The Killers sound so big. Mr. Credit has true swagger, with Sam Fogarino%27s drums going from splashy bursts to full-on crashing waves, and Banks coming on more like Bowie than usual. Renegade Hearts is, for Interpol, a muscular hard-charger with a low-end growl and glints of sunshine; more than anything, it recalls Boy-era U2. Kessler%27s guitar line on Into the Night is like a snake working its way into your brain, while Big Shot City has hot spots of ska-inspired guitar. So does the glorious Gran Hotel, which starts off shadowy and low before kicking in majorly, Banks%27 vocals bursting out of nowhere and keeping the energy high. And Passenger is pretty great, all piercing guitar and drums throbbing like the adrenaline that%27s triggered by true love and fear alike. I need something to hold/ Someone to grasp at/ When I fall into a hole/ With a mountain on my back, Bank sings, weary of the everyday drama. It%27s emotional, moving and entirely Interpol.
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