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专辑名称: Redcar les adorables étoiles (prologue)
创作艺人: [Christine And The Queens]
音乐流派: ROCK|摇滚
专辑规格: 1碟13首
出品公司: Because Music
发行时间: 2022/11/11
官方标价: £7.99 （会员免费下载）
域名语言: [fr] （AI检测）
曲目介绍：
Ma bien aimée bye bye
Tu sais ce qu'il me faut
la chanson du chevalier
rien dire
la clairefontaine
Les étoiles
Mémoire des ailes
Looking for love
My birdman
Combien de temps
Je te vois enfin
Angelus
Les âmes amantes
详细介绍:
On his third album as Christine and the Queens—but also using the new moniker Redcar—the artist now known simply as Chris isn%27t pushing boundaries so much as flying over them. My journey with gender has always been tumultuous. It%27s raging right now, as I%27m just exploring what is beyond this, he said in a May 2022 interview, around the time he announced his adoption of masculine pronouns. A way to express it could be switching between they and she. I kind of want to tear down that system that made us label genders in such a strict way … I think the answer is to be flickery, fluid, escaping. That%27s also a pretty good description of his music, which is equally, and charmingly, hard to pin down. Opener Ma bien aimée bye bye finds Chris, as Redcar, adopting a chanteur%27s pose against the late-night cabaret sounds of slinky guitars and shimmering high-hat. Sung in a seamless mélange of French and English, it%27s a seductive goodbye but still, it%27s my life till I die. (It completely fits Chris%27s estimation of the Redcar personality, which he has also called a poetic and philosophical construction—a very Bowie thing to say—as suave and sophisticated.) While the last Christine and the Queens album leaned heavily into hard-edged %2790s funk, here there are more references to the crisp-heavy bottom beats of Shannon-style %2780s dance pop, especially on la chanson du chevalier—remarkable for its ethereally circling round-robin vocals, ranging from high and sweet (the man I love) to a richer lead and sharp back-up—and Grace Jones-esque industrial rhythms. Tu sais ce qu%27il me faut adopts Jones%27 unique binary of wild and controlled, while Les âmes amantes sounds like it%27s from another planet: liquid and layered. There%27s also dancefloor euphoria (Looking for love), powerful synth-heavy moments (Les étoiles, aka the stars), airy sweetness (rien dire) and an Annie Lennox cool breeze (la clairefontaine). A groovy eight-and-a-half-minute epic, Combien de temps samples electropop pioneer Gina X. Je te vois enfin sets up an intriguing mystery: Oh-oh, my father I believe they have sinned, the lyrics translate to English. It%27s impossible in your books not to sin. But Chris—Redcar—is perhaps most revealing on Mémoire des ailes. The song is so clean and hymn-like, it sounds sacred, with vocals that completely envelop even as the music edgily stutters and shudders. I%27ll teach you a game, I%27ll teach ya, he sings, at once a promise and a tease.
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