HR 48.0kHz/24Bit 
专辑名称: Young Blood
创作艺人: [Marcus King]
音乐流派: ROCK|摇滚
专辑规格: 1碟11首
出品公司: Republic Records
发行时间: 2022/8/26
官方标价: £8.99 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
It's Too Late
Lie Lie Lie
Rescue Me
Pain
Good and Gone
Blood on the Tracks
Hard Working Man
Aim High
Dark Cloud
Whisper
Blues Worse Than I Ever Had
详细介绍:
New mainstream rock music today seems to need models to emulate. Like Joe Bonamassa and others before him, Marcus King—with help from producer Dan Auerbach—has chosen Billy Gibbons riff rock as a style and sound worth following. Even more than most Gibbons worshippers, King has clearly spent time listening to ZZ Top%27s 1973 masterpiece Tres Hombres. It%27s evident King is both paying tribute and copping inspiration with his riff at the center of Lie Lie Lie, not to mention bassist Nick Movshon%27s dirty tone and Chris St. Hillaire%27s fierce drumming on Precious and Grace. King makes it clear in the album%27s notes that he and Auerbach were focused on the ZZ Top that played stadiums in the mid-%2770s. Dan and I wanted to create a record with a big arena rock sound we don%27t really hear a lot now. We wanted tunes that were as big as the rooms we wanted to play. With a passable voice and convincing skills on his 1959 Les Paul, King even catches some of the lumbering riffage of Black Sabbath in the snaky ballad, Aim High. With the vocal reverb and the easy-going choruses, Hard Working Man lifts the aural signature of another icon of the era, the Steve Miller Band. The %2770s homages don%27t all work. A tune like Whisper which could be a Bad Company or Lynyrd Skynyrd outtake, takes no chances and does little to advance King%27s vision. This is riff rock so words are of lesser importance. Without a mention of Bob Dylan, Blood on the Tracks, where Auerbach adds the distinctive sound of the mellotron, King reaches, Sunrise blazin%27 ahead of me/ On the edge of heaven and hell/ Freedom%27s gonna feel like amphetamines/ Ringin%27 like the Liberty Bell. To his and Auerbach%27s credit, Young Blood was cut in six days: These songs are live performances. The whole damn thing is live—the solos and everything. It%27s so rare in this day and age. Closing with the strongest number, the bluesy southern rocker Blues Worse Than I Ever Had, the enjoyable if predictable Young Blood draws heavily from another age, raising the question of when King%27s own style will begin to emerge. © Robert Baird/Qobuz
主题授权提示：请在后台主题设置-主题授权-激活主题的正版授权，授权购买：RiTheme官网