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专辑名称: Stumpwork
创作艺人: [Dry Cleaning]
音乐流派: ROCK|摇滚
专辑规格: 1碟11首
出品公司: 4AD
发行时间: 2022/10/21
官方标价: £10.49 (会员免费下载)
域名语言: [en] (AI检测)


曲目介绍:

Anna Calls From The Arctic
Kwenchy Kups
Gary Ashby
Driver's Story
Hot Penny Day
Stumpwork
No Decent Shoes For Rain
Don't Press Me
Conservative Hell
Liberty Log
Icebergs


详细介绍:

Dry Cleaning%27s 2021 debut New Long Leg was a critical and commercial hit in the UK (and a cult smash in the US), topping the indie album chart and breaking the top 5 on the all-genre chart. Frontwoman Florence Shaw isn%27t so much a singer as a vocalist, speaking the lyrics in a dusky, rich and inquisitive voice that you can imagine narrating audio books (if only someone would hire her for a navigation app). She hadn%27t been in a band before Dry Cleaning, but had a habit of jotting down everyday musings on her phone—giving her an instant treasure trove of curious, sometimes elliptical lyrics. That hasn%27t changed on the South London band%27s second album.  Excellent opener Anna Calls from The Arctic— taking cues from the high-drama of film composer John Barry and cruising on groovy bass—finds her recounting a conversation with a friend calling from the Arctic: Nothing works/ Everything%27s expensive/ And opaque and privatized/ My shoe organizing thing arrived/ Thank god. But in Shaw%27s distinct, disarming delivery, the mundane feels surreal. Things are shit, but they%27re gonna be OK, she declares on Kwenchy Kups, which is about the joy of seeing otters and shows a smirking side of Shaw: And I%27m going to see the water caterpillar/ There%27s no such thing/ Hmm? Nice idea. The music, meanwhile, here and across many tracks, is like Wire served sunny side-up. But Wire never wrote a song like Gary Ashby, an ode to a pet turtle who escaped during lockdown, with Shaw cooing his name. Driver%27s Story is chill-out music with spiky edges and the frontwoman%27s deep oooooooohs show a Kim Gordon influence. Hot Penny Day is s funked-up sonic freak-out, and Stumpwork jangles like late-era Pavement (complete with Steve Malkmus-worthy lyrics: All the hairs on my arm raise up/ Because you are wearing a fleece/ That has become electrified). Hard-charging Don%27t Press Me finds Shaw melodically complaining to herself about stressing herself out, shadowed by a whistle that almost sounds like feedback. And bottom-heavy Conservative Hell, its elastic bass ricocheting, is like the world%27s catchiest Yelp review: I wanted to thank you for organizing the Edinburgh trip/ Which, apart from what happened to my Kindle, was amazing!


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