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专辑名称: In My Own Time (50th Anniversary Edition)
创作艺人: [Karen Dalton]
音乐流派: ROCK|摇滚
专辑规格: 1碟19首
出品公司: Light In The Attic Records
发行时间: 2022/3/25
官方标价: £6.99 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Something on Your Mind
When a Man Loves a Woman
In My Own Dream
Katie Cruel
How Sweet It Is
In a Station
Take Me
Same Old Man
One Night of Love
Are You Leaving for the Country
Something on Your Mind (Alternate Take)
In My Own Dream (Alternate Take)
Katie Cruel (Alternate Take)
One Night of Love – Live at Beat Club, Germany, April 21, 1971
Take Me – Live at Beat Club, Germany, April 21, 1971
Something on Your Mind – Live at the Montreux Golden Rose Pop Festival, May 1, 1971
Blues on the Ceiling – Live at the Montreux Golden Rose Pop Festival, May 1, 1971
Are You Leaving for the Country – Live at the Montreux Golden Rose Pop Festival, May 1, 1971
One Night of Love – Live at the Montreux Golden Rose Pop Festival, May 1, 1971
详细介绍:
A half-century after the release of Karen Dalton%27s cult classic second album, In My Own Time sounds as magical as it always has; it was never—despite the album%27s title—that she was ahead of her time, but rather not of this world. Which is not to say she was some ethereal creature. After a whole life lived in her teenage years, married twice and with two kids, Dalton moved from Oklahoma to New York City to be part of the Greenwich Village 1960s folk scene alongside the likes of Tim Hardin and Neil Young. Bob Dylan called her one of his favorites, saying Karen had a voice like Billie Holiday. She reportedly hated the comparison, though you get why Dylan made it: it%27s the weary ache and that slim silver thread of hope that remains. You can hear it on her cover of George Jones%27 Take Me; the piano flutters like it needs a fainting couch, but Dalton turns the quiet plea into something wistful rather than desperate. Take me to Siberia and the coldest weather of the winter time/ And it would be just like spring in California, she sings, drawing out that last word like it%27s some impossible oasis. (By then, Dalton had had two teeth knocked out in a fight between boyfriends.) It%27s in her jaunty delivery of the Holland-Dozier-Holland%27s How Sweet It is and her interpretation of Richard Manuel%27s psychedelic country-rock In a Station, Dalton blowing like wind through some desolate space. And lord knows it%27s in her most famous song, the Scottish folk traditional Katie Cruel. Helped along by high-lonesome banjo, it%27s as haunted as they come. When I first came to town, they called me the roving jewel, Dalton sings, managing to make it sound like she%27s not broken by it all. Now they%27ve changed their tune, call me Katie Cruel. Credit her wavery, light-refracted voice and the way it reflects both a fragility of nature and a hardscrabble strength of circumstance. (While the story of folkie Fred Neil secretly recording Dalton%27s first album by not telling her the tape was running has been romanticized, it%27s also exploitative and manipulative.) Dalton, who would disappear after In My Own Time, battled heroin and alcohol addiction and died at age 55 after an AIDS diagnosis. But her influence carries on, in Angel Olsen, Lucinda Williams, Sharon Van Etten, Courtney Barnett and Nick Cave, to name a few. This new expanded and remastered edition includes alternate takes of In My Own Dream, Something on Your Mind and Katie Cruel. The latter two light a small fire under the beat, but find Dalton less declarative, like she%27s consoling a friend in hushed tones. There are also several live tracks. Take Me, captured in April 1971 in Germany, is so intimate it%27s disarming, Dalton%27s voice cracking on the line like heaven to me. But there is strength—an almost defiance—on the songs from her Montreaux performance a month later, even in Blues on the Ceiling when she predicts she%27ll Never get out of these blues alive. © Shelly Ridenour/Qobuz
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