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专辑名称: Blue Rev
创作艺人: [Alvvays]
音乐流派: ROCK|摇滚
专辑规格: 1碟14首
出品公司: Transgressive
发行时间: 2022/10/7
官方标价: £6.49 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Pharmacist
Easy On Your Own?
After The Earthquake
Tom Verlaine
Pressed
Many Mirrors
Very Online Guy
Velveteen
Tile By Tile
Pomeranian Spinster
Belinda Says
Bored In Bristol
Lottery Noises
Fourth Figure
详细介绍:
A new Alvvays album is the music equivalent of a Sally Rooney novel: devastating plainspoken lines, youthful yet universal, feminine but not girly, full of longing and bared teeth and hope and sly humor. On the Canadian band%27s third, Blue Rev, it%27s there in the power pop swirl (never a churn) of Pharmacist, as sunny as something by that depressive genius Brian Wilson, and in the clever lines of Easy on Your Own? (which sounds like the Sundays with turbo power): I dropped out of college/ Education%27s a dull knife/ If you don%27t believe/ In the lettered life, Molly Rankin sings. Pretty quiet out here/ It%27s abundantly clear/ That no one%27s been coming for me/ No encouraging sounds/ Helicopters or hounds, goes the ballad-to-accelerator Lottery Noises. Rankin%27s poetry can be breathless, and on the %2780s jangle pop of After the Earthquake, her voice is like a kite on a blindingly bright but windy day. Woke up in the rain/ Woke up in a sweat/ Now you%27re living in a condo/ And you wanna forget, she chases herself on Pomeranian Spinster—an excellent, should-be-a-hit rush of adrenaline that wouldn%27t be out of place on a Kiwi Jr. album. Very Online Guy, meanwhile, brings to mind the Concretes: sexy yet naif, with excellent organ from Kerri MacLellan and Rankin calling out obnoxious internet mansplaining: He%27s a very online guy/ He likes to hit reply. There are references to Murder She Wrote, Television singer and guitarist Tom Verlaine and Belinda Carlisle (Belinda says that heaven is a place on earth/ Well, so is hell, Rankin declares on Belinda Says). It makes sense that the band likes to cover the late, great Kirsty MacColl and Camera Obscura, and that Rankin has referenced early Teenage Fanclub and the Magnetic Fields%27 Stephin Merritt as influences. Pressed borrows the jangling eddy of early R.E.M., and Velveteen sounds like soft-nap fabric rubbed the wrong way—before the song takes off for the stratosphere near the end. These are delightfully brief little glints of light: No track is over three-and-a-half minutes, nor do they need to be. © Shelly Ridenour/Qobuz
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