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专辑名称: Live At The Bon Soir
创作艺人: [Barbra Streisand]
音乐流派: ROCK|摇滚
专辑规格: 1碟24首
出品公司: Columbia – Legacy
发行时间: 2022/11/4
官方标价: £11.29 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Introduction by David Kapralik (Columbia Records) / My Name Is Barbara (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Much More (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Napoleon (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
I Hate Music (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Right As The Rain (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Cry Me A River (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Value (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Lover, Come Back To Me (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Band Introductions (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Soon It's Gonna Rain (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Come To The Supermarket (In Old Peking) (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
When The Sun Comes Out (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Happy Days Are Here Again (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962)
Keepin' Out Of Mischief Now (Live at the Bon Soir, Greenwich Village, NYC – Nov. 6, 1962)
A Sleepin' Bee (Live at the Bon Soir, Greenwich Village, NYC – Nov. 6, 1962)
I Had Myself A True Love (Live at the Bon Soir, Greenwich Village, NYC – Nov. 6, 1962)
Bewitched, Bothered and Bewildered (Live at the Bon Soir, Greenwich Village, NYC – Nov. 6, 1962)
Who's Afraid Of The Big Bad Wolf? (Live at the Bon Soir, Greenwich Village, NYC – Nov. 6, 1962)
I'll Tell The Man In The Street (Live at the Bon Soir, Greenwich Village, NYC – Nov. 6, 1962)
A Taste Of Honey (Live at the Bon Soir, Greenwich Village, NYC – Nov. 7, 1962)
Never Will I Marry (Live at the Bon Soir, Greenwich Village, NYC – Nov. 7, 1962)
Nobody's Heart Belongs To Me (Live at the Bon Soir, Greenwich Village, NYC – Nov. 7, 1962)
My Honey's Lovin' Arms (Live at the Bon Soir, Greenwich Village, NYC – Nov. 7, 1962)
I Stayed Too Long At The Fair (Live at the Bon Soir, Greenwich Village, NYC – Nov. 7, 1962)
详细介绍:
Several momentous music careers were blooming in New York%27s Greenwich Village in 1962. A young Minnesotan on the folk circuit changed his surname to Dylan and signed on Albert Grossman to manage him. In a tiny W. 8th Street basement speakeasy called the Bon Soir, a new singer of showtunes and standards was generating an equally impressive buzz moving critic Dorothy Kilgallen to burble, She%27s never had a singing lesson in her life, doesn%27t know how to walk, dress or take a bow, but she projects well enough to close her act with a straight rendition of %27Who%27s Afraid of the Big Bad Wolf%27 and bring down the house … Barbra Streisand had recently signed to Columbia Records (which also had Bob Dylan on its roster), and returned to the club for three nights of recording in November, 1962, to capture what was to be her debut album. Shelved for unknown reasons, its 24 tracks, captured in very respectable sound given the state of live recording at that time, have now been issued with new mixes supervised by Streisand and Grammy Award-winning engineer Jochem van der Saag. Accompanied only by a small band led by British pianist Peter Daniels, this is a Streisand few have seen or can remember. What%27s most forgotten today is how adept a performer she could be in such an intimate environment: cracking jokes, acting the coquette, even letting out rapid fire giggles in Value. She%27s audibly nervous yet also clearly at home as the tough Brooklyn girl with the soft center who could raise the roof if she so chose. The singing, some of which was part of the career-spanning 1991 collection Just For The Record, is a rare delicacy. Stripped of the studio gloss that would mark most of her career after these sessions, Streisand never recorded anything this real again. In a startlingly raw version of Leonard Bernstein%27s children%27s song, I Hate Music, she practically shrieks out the title, getting a few laughs in the process. But she follows that burst of immaturity with a gentle, utterly masterful version of Harold Arlen%27s Right As The Rain and a gutsy, breathless, showstopping version of Cry Me A River that hint at the career to come. Forget the gauzy outfits, the lacquered nails, those grand modulations, and perfect enunciation, this is a very young Streisand unchained. © Robert Baird/Qobuz
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