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专辑名称: Jubilee
创作艺人: [Japanese Breakfast]
音乐流派: ROCK|摇滚
专辑规格: 1碟10首
出品公司: Dead Oceans
发行时间: 2021/6/4
官方标价: £9.04 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Paprika
Be Sweet
Kokomo, IN
Slide Tackle
Posing In Bondage
Sit
Savage Good Boy
In Hell
Tactics
Posing For Cars
详细介绍:
A complete triumph, the third album from Michelle Zauner, aka Japanese Breakfast, is simply beautiful. While her first two LPs explored the anguish of her mother%27s cancer diagnosis and treatment (Psychopomp) and subsequent death (Soft Sounds from Another Planet), Jubilee starts Zauner%27s own recovery process—and pursuit of happiness. Opener Paprika is an instant mood lift, all rolling drums and lazily swaying horns, that finds Zauner refusing to take good fortune for granted: How%27s it feel … projecting your visions to strangers who feel it, who listen, who linger on every word? How? It%27s a rush! (One of her greatest storytelling talents is not leaning on trite rhymes.) Kokomo, IN is like a tropical breeze with an undercurrent of gently heart-tugging strings. All that joyful noise, however, doesn%27t mean faking it until she makes it. Zauner lets herself luxuriate in lyrically dark corners even as the music—at times reminiscent of the Cardigans, Björk, Kate Bush—shines bright. Tactics is so lovely and romantic sounding it could almost be from a Disney movie, but she%27s singing about pulling away from a toxic relationship with her father. The horns of Posing in Bondage blow in like smoke; even when the Robyn-like dance beat kicks in, you never forget it%27s a ballad about being lonely in a relationship. And then there is the absolutely devastating In Hell. Zauner has described it as being about putting my dog down and thinking, %27Why couldn%27t we just have this option when my mom was dying?%27 The keyboard is jaunty, the horns are sunny, and Zauner sings With my luck you%27ll be dead within the year/ I%27ve come to expect it … Hell is finding someone to love and I can%27t have you. Earlier this year, Zauner published her bestselling memoir Crying in H Mart, an expansion of the shockingly beautiful and moving New Yorker essay of the same name in which she used the Korean American supermarket chain as an outlet for grieving her mother%27s death. Both in the pages and in these songs, she is fighting her way back to joy. You can hear it in the second-chance promise of Be Sweet and its disco dancefloor pulse, as Zauner croons, So come and get your woman/ Pacify her rage. And even when the world goes dark, she%27s reclaiming her sense of humor. Savage Good Boy is a deliciously sly commentary on billionaires buying apocalyptic bunkers: And when the city%27s underwater/ I will wine and dine you in the hollows/ On a surplus of freeze dried food. Survival, it turns out, is a funny thing.
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