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专辑名称: Delta Kream
创作艺人: [The Black Keys]
音乐流派: COUNTRY|乡村音乐
专辑规格: 1碟12首
出品公司: Nonesuch
发行时间: 2021/5/14
官方标价: £11.29 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Crawling Kingsnake
Louise
Poor Boy a Long Way From Home
Stay All Night
Going Down South
Coal Black Mattie
Do the Romp
Sad Days, Lonely Nights
Walk with Me
Mellow Peaches
Come on and Go with Me
Crawling Kingsnake (Edit)
详细介绍:
The Black Keys—childhood friends Dan Auerbach on vocals, guitar, bass and keyboards, and Patrick Carney on drums—found success after forming in Akron, Ohio, and moved to Nashville a decade ago. But geography seemingly has never had much bearing on this duo, who started out playing Mississippi hill country blues and who, now, 10 albums in, have recorded a collection of covers by legends including Junior Kimbrough, John Lee Hooker and R.L. Burnside. Delta Kream was recorded over just two days with the duo joined by Mississippi hill country guitar specialists Eric Deaton, who backed up Kimbrough until his 1998 death, and Kenny Brown, who Burnside considered his adopted white son. (The album%27s name comes from the cover photo, a classic shot by photographer William Eggleston of a car parked in front of a run-down drive-in, the Delta Kream.) It%27s easy to revert to cynicism when listening to a new Black Keys record: Here%27s the beer commercial song, the truck commercial song, the sports league song. This time, the game is: Who did this one inspire? You can detect the low-key Hendrix vibe in Kimbrough%27s Stay All Night, with its slow-psych guitar and Carney%27s hard-working but never showy fills, riffs and tambourine punches. Big Joe Williams%27 Mellow Peaches—woozy organ, loose-limbed rhythm, and a slow build into a (mellow) frenzy—has clear through-lines to the Allman Brothers. The sweltering stomp and serpentine guitar of Kimbrough%27s Walk With Me surely had an effect on ZZ Top. And, of course, there are plenty of sounds like Creem moments: Kimbrough%27s Come On and Go with Me and a terrific, slinky take on Kimbrough%27s cover of John Lee Hooker%27s Crawling Kingsnake, complete with what Auerbach calls almost a disco riff. But, more than anything, you hear exactly where the Black Keys%27 own style has its roots. Burnside%27s country blues Poor Boy a Long Way From Home exemplifies it with wild, possessed moments when the guitars completely erase the need for vocals. A cover of Rainie Burnette%27s Coal Black Mattie chugs and nods and struts like a rooster, the guitars sliding all over the place, and would%27ve been right at home on the Keys%27 great El Camino. (Same goes for Burnside%27s Going Down South, gussied up with Auerbach%27s falsetto.) And in fact, Kimbrough%27s Do the Romp showed up on their 2008 debut The Big Come Up as the delightfully nasty Do the Rump; this time around, it gets a spit-shine makeover that sounds like sexy confidence.
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