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专辑名称: Mississippi Son
创作艺人: [Charlie Musselwhite]
音乐流派: COUNTRY|乡村音乐
专辑规格: 1碟14首
出品公司: Alligator Records
发行时间: 2022/6/3
官方标价: £10.85 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Blues Up The River
Hobo Blues
In Your Darkest Hour
Stingaree
When The Frisco Left The Shed
Remembering Big Joe
The Dark
Pea Vine Blues
Crawling King Snake
Blues Gave Me A Ride
My Road Lies In Darkness
Drifting From Town To Town
Rank Strangers
A Voice Foretold
详细介绍:
Though slowly becoming a museum piece—and sadly the province of weekend garage bands—the real blues aren%27t going away without a fight. Now that the Delta originators and second generation Chicagans are nearly all gone, players with the vital experience to make the music ring authentic may be rarer, but we%27ve still got Charlie Musselwhite. A onetime moonshine runner and basement resident of Chicago%27s Jazz Record Mart, the Memphis native—now nearing 80—delivers a varied, mostly bare bones set of acoustic blues split between solo performances and those with accompaniment by drummer Rickey Quicksand Martin and standup bassist Barry Bays. Fresh off a pair of much-praised collaboration albums with Ben Harper and Elvin Bishop respectively, Mississippi Son has the extra pedigree of having been recorded in Clarksdale, MS (home of the Delta Blues Museum) and being released on Chicago-based and bluescentric Alligator Records. Early blues from the Mississippi Delta, one of a young Musselwhite%27s first loves, is heard in a cover of Charley Patton%27s Pea Vine Blues. He proves his own Delta chops in Stingaree, which revisits the eternal blues metaphor of women as bees, singing Man needs honey/ Gets it when he could/ Sting and always/ Feels so good. Another early blues number, Crawling King Snake, written by Musselwhite%27s onetime roommate Big Joe Williams but made famous by John Lee Hooker, gets a fine moody treatment that showcases his playing on acoustic guitar, an instrument that he%27s learned over time and that has steadily become a larger part of his music. Though initially known for his harmonica, Musselwhite has also grown into a good if laconic singer, one who can stray outside pure blues and convincingly wend his way through a version of Guy Clark%27s The Dark. And fortunately, he still has enough wind to blow his harp—though not as loud or fast as in the past—on several numbers including the closer, A Voice Foretold. The blues have never been a complicated musical form but they do ask a lot emotionally from its genuine practitioners, a demand Musselwhite meets in the liner notes with the only right answer, My heart is definitely in it. © Robert Baird/Qobuz
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