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专辑名称: Furling
创作艺人: [Meg Baird]
音乐流派: COUNTRY|乡村音乐
专辑规格: 1碟9首
出品公司: Drag City
发行时间: 2023/1/27
官方标价: £8.99 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Ashes, Ashes
Star Hill Song
Ship Captains
Cross Bay
Twelve Saints
Unnamed Drives
The Saddest Verses
Will You Follow Me Home?
Wreathing Days
详细介绍:
A constant in the post-folk scene, Meg Baird has played with Bill Callahan, Bonnie Prince Billy and Joan Shelley, and made 2018%27s excellent Ghost Forests album with harpist Mary Lattimore. She%27s well-rounded, with a psychedelic background in Espers and Heron Oblivion, as well as having a deep appreciation for both %2760s English folk traditions and its early %2790s revival. On her latest album—an exploration of self-care and human bonds—Baird also draws inspiration from, among other sources, Neil Young shackled to his piano deep in the foggy pre-dawn and dubby Bristol atmospherics. You certainly get the Neil Young reference in Will You Follow Me Home? With its mesmerizing drum clop, groovy mellotron and guidestone bass, it lifts the gauze that lightly filters the other tracks. Cross Bay, for instance, is dreamy in every sense of the word. Previously released in unfinished form, this version lives up to its full, sun-dappled potential. Despite the peaceful vibe, Baird has said that one verse was written while watching Hitchcock%27s Lifeboat late at night and freaking out about Brexit: I was afraid that it was a terrible sign that the old agreements and already inadequate standards about how we take care of each other each were up for grabs. The song came about as a sign of gratitude to a friend who, with the simple act of reaching out, reminded her that human communication can calm and heal. Star Hill Song is warm folk, but also giving off new age ambience—exactly what you want to hear at a sun-blessed coastal California retreat. The song evokes Mazzy Star%27s folkiest moments, and a light blues riff keeps it earthbound as Baird%27s delicate, feminine voice floats. Ship Captains is her Judy Collins moment, while Unnamed Drives has Sandy Denny energy. There%27s a six-minute musing of moody piano and never wavering drum metronomy (Ashes, Ashes), an exploration of meditation as a form of escape (Twelve Saints), and Wreathing Days, which features beautiful but slightly off piano, its notes clustered to provide lightly cacophonic disruption.
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