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专辑名称: That's How Rumors Get Started (Deluxe)
创作艺人: [Margo Price]
音乐流派: COUNTRY|乡村音乐
专辑规格: 1碟18首
出品公司: Loma Vista
发行时间: 2020/3/12
官方标价: £8.39 (会员免费下载)
域名语言: [en] (AI检测)


曲目介绍:

That's How Rumors Get Started
Letting Me Down
Twinkle Twinkle
Stone Me
Hey Child
Heartless Mind
What Happened To Our Love?
Gone To Stay
Prisoner Of The Highway
I'd Die For You
Goin' To The Country
Long Live The King
You Don’t Own Me
Hitman
He Made A Woman Out Of Me (Billy Reid FAME Session)
Later On
You’re No Good
Better Than Nothin'


详细介绍:

Lots of Nashville songwriters rely on characters like those drifting through Margo Price%27s That%27s How Rumors Get Started. There%27s the delusional lover who sabotages his one steady relationship without even trying; the road dog who begins to see travel, once liberating, as a prison sentence; the couple locked in a dance of dysfunction they can%27t understand, summed up in couplets like You were the footsteps, I was the floor.

When Price tells their stories, what begins as cardboard-cutout generic is transformed into a disquieting, vivid, and sometimes messy experience. The people in songs like Letting Me Down and the title track sure do start out as types, but as Price follows their everyday conflicts and responses to circumstance, nuances appear. Their profiles deepen. With this, her third full-length effort, she%27s refined a communication style that drops listeners beyond the narrative twists, to the yearnings below the meanings and the subtexts below that.

Produced by Sturgill Simpson and featuring sparkling contributions from keyboardist Benmont Tench and drummer James Gadson, That%27s How Rumors Get Started is a marvel of writerly precision set against impulsive flailing and of steely craft blasted with headstrong vibe. The musical support is apt, tuned to the faint twinges of bitterness in the lyrics. Furthermore, the much-discussed pivot toward rock and roll is deftly executed—there are echoes of Tom Petty in the backbeats, glances in the direction of mid-%2770s Eagles balladry, and even the twitchy %2780s hits of Huey Lewis. Price uses those as touchstones, not templates; she could interpret these songs as country weepers or polkas and they%27d retain their depth and resonance. That%27s one measure of a great song. There are a bunch of them here. © Tom Moon/Qobuz


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