HR 48.0kHz/24Bit 
专辑名称: StandArt
创作艺人: [Tigran Hamasyan]
音乐流派: Jazz|爵士
专辑规格: 1碟9首
出品公司: Nonesuch
发行时间: 2022/4/29
官方标价: £11.29 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
De-Dah
I Didn't Know What Time It Was
All the Things You Are (feat. Mark Turner)
Big Foot (feat. Joshua Redman)
When a Woman Loves a Man
Softly, as in a Morning Sunrise
I Should Care (feat. Ambrose Akinmusire)
Invasion During an Operetta (feat. Ambrose Akinmusire)
Laura
详细介绍:
Tigran Hamasyan is nothing if not unpredictable! First, he perfected the art of the solo in An Ancient Observer, expanding his piano’s expressive register using electronic effects and vocal melismas. Then he went off on a tangent with his incredible album The Call Within, exploring sounds that fused progressive rock, jazz, metal, electronic and traditional Armenian music. Now he’s returned to his first love: jazz. This genius and flamboyant record has undeniably proved he’s among the small number of great contemporary pianists. Leading a trio that includes Matt Brewer on double bass and Justin Brown on the drums (the three of them have outstanding cohesion and collective imagination), Tigran Hamasyan provides us with his modern take on a series of carefully selected songs from the vast repertoire of classics. He’s not afraid to tackle legendary tracks like All The Things You Are, Laura or I Should Care. He even dives into bebop (Big Foot) and hard bop with the beautiful De-Dah by pianist Elmo Hope.
The pianist is joined on a few tracks by prestigious guests (Mark Turner, who offers a weightless, nostalgic take on All The Things You Are; Joshua Redman, who packs a punch in a beefed-up version of Charlie Parker’s huge hit Big Foot; Ambrose Akinmusire, who gives a particularly haunting and cinematic rendition of I Should Care). Hamasyan proposes a new angle of attack with each track, focussing on the form and construction of the compositions—it’s simply mesmerising. His trio’s interpretation of Rodgers & Hart’s classic I Didn’t Know What Time It Was is a great example of what this ensemble can do. The song starts in what you might describe as a ‘cubist mode’: cleverly deconstructed in the way it accentuates angles and contrasts whilst still remaining faithful to the melody. However, it gradually becomes fluid and poetic, with lyricism taking precedence over formality. An incredible jazz record. © Stéphane Ollivier/Qobuz
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